Thursday, December 3, 2020

The Peculiar Fate of Holly Banks by Julie Valerie

A special thank you to NetGalley, Lake Union Publishing, and the author, Julie Valerie, for an ARC in exchange for an honest review. 

The women of Primm have it all together, all of the time and Holly Banks has made it her mission to be the same. But she's quickly learning that keeping up with the Joneses is a full-time job and nothing seems to be going to plan.

With her husband’s job in flux, her daughter having trouble learning to read, and her mother’s new enthusiasm for dating, Holly’s life is anything but picture perfect. Then her dog digs up an old artifact in the village centre which brings the attention of local media. Because of course it would.

Holly finds herself at the center of a mystery between two rival towns that, if solved, could change the Village of Primm forever. Attention is the last thing she needs as she’s launching a new business, the village-wide “Parade of Homes” is approaching—though she’s hardly unpacked—and she needs to submit her entry for an upcoming film festival. Can Holly still create her perfect (looking) life? Or is fate about to go off script and give her a story she never could have imagined? 

Wife, mother, aspiring filmmaker Holly Banks is back! Still living in the idyllic Village of Primm, this book takes place a few weeks after the first book. Holly is clinging to the pursuit of perfection, but fate has other plans for her.  

True to Julie Valerie's style, The Peculiar Fate of Holly Banks also has its share of shenanigans, but it is more serious and even a little mysterious. I missed the humour and lightheartedness from Holly Banks Full of Angst, this book is definitely not as quirky. That being said, I would still recommend, if not for just reading about Struggle the dog—he was a total scene-stealer.

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JULIE VALERIE writes humorous women’s fiction and is developing a series set in the idyllic Village of Primm. She has an editing certificate from the University of Chicago, a master’s degree in education, and a certification in wilderness first aid. 

Valerie enjoys reading, the study of wine, section hiking the Appalachian Trail, and travel. She is married to her college sweetheart, has four children (two girls, two boys) and two English Labradors (one yellow, one chocolate

Wednesday, November 4, 2020

Waiting for a Star to Fall by Kerry Clare

A special thank you to Penguin Random House Canada for a copy of the book in exchange for an honest review.  

Charismatic Derek Murdoch is a rising political star and Brooke Ellis has long been caught in his orbit. First they had a working relationship—with him as her boss—and then they had a friendship—Brooke was his person, his confidant. But her feelings towards Derek run deeper, it seems that his charm is just too hard to resist. Brooke never thought that he would feel the same way, especially given their age difference. But when Derek returns the feelings, none of the reasons why they shouldn't be together matter and they fall in love. The couple steal weekends away and after long days at work, share takeout late at night, all while while keeping their relationship under wraps. Brooke tells herself a future with Derek make it all worthwhile.

When things fall apart after a heartbreaking betrayal, Brooke is the one left holding the pieces of their life while Derek becomes entangled in a sex scandal. As the public makes up its mind about who Derek really is, Brooke is forced to re-evaluate their history—did she ever really know the man she fell in love with?

Waiting for a Star to Fall is a story that could quite literally be plucked from the headlines. At first glance it appears to be a romance, but it's so much more—it is a glimpse into the high-profile world of politics, misplaced faith, and how so much of our reality is tied to perception.

Women in general struggle with owning their authority, voice, and power. Yet men have no problem with it—look how many mediocre men are successful and/or in positions of leadership. In this book, Clare explores the power dynamic between a successful and influential older man and the young women he surrounds himself with.  

The narrative is smart and insightful. By writing in third person Clare captures Brooke's authentic perspective as well as her self-doubt. She also has an impeccable ear for dialogue—the conversations between Brooke and Derek are some of Clare's best work.

Poignant and timely, yet thrilling and intoxicating. Waiting for a Star to Fall  examines the complex dynamics of relationships juxtaposed with the political climate in today's #MeToo era.

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KERRY CLARE is a blogger, the author of the novel Mitzi Bytes, editor of The M Word: Conversations About Motherhood, a National Magazine Award-nominated essayist, and editor 49thShelf.com, a Canadian books website. 

Clare lives in Toronto with her husband and children.


Q & A with Kerry Clare*

GWR: How did you come up with the concept for Waiting for a Star to Fall?

KC: In January 2018, I was reading the newspaper, and on the front page photo was of a politician who’d just (supposedly) had his career self-destruct because of allegations of sexual misconduct and persistent rumours that he’d been having inappropriate relationships with women who worked for him who were half his age. He’d been denying all of it—but then the photo depicted him with an “on-again off-again girlfriend” who had worked for him and was half his age. Obviously, I wasn’t shocked, but I was so intrigued by the woman in the photo, by the situation she’d suddenly found herself in, especially since she was still so young. I knew I wanted to do a whole lot more thinking about somebody in her shoes.

GWR: What comes first for you—the overall idea or the characters? 

KC: For this book, it was the idea, because the fictional characters I’d come to invent are so very different from their real-life counterparts. Writing the book was definitely a process of discovering who these people are.

GWR: Are you a pantser/gardener or a plotter/architect? 

KC: I write the same way I read—to find out what’s going to happen at the end. It’s the most exhilarating experience both ways. And then once a first draft is done, I become more methodical about plotting and planning, and I usually find that the most important scenes in my books weren’t even there the first time around.

GWR: Has your writing process changed since your first book (Mitzi Bytes: A Novel)?

KC: Both of my published novels have been written in very short periods during which I’ve challenged myself to write 1000 words a day over about three months or so, and I have loved this process, the way it has helped to make the stories propulsive. The book I am currently working on, however, was written in between my two published books, and I’ve been working on it bit by bit for the last five years. The result has been a book with a very different shape and pace. I hope it finds its way into world, but if not, I will return to my tried-and-tested 1000 words a day trick.

GWR: Did your feelings about any of the characters change while writing the book?

KC: It was very important to me to make Derek Murdoch a character who was, albeit slimy, someone whose charisma and appeal was real, because it needed to be plausible that Brooke would really fall in love with him. So I will admit that sometimes he really did charm me. Like Brooke, I wish he could be a better person. But of course, guys like that will always break your heart.

I also developed a real soft spot for his mother, and if you’ve read the book, you’ll understand why.

GWR: What was the hardest scene to write?

KC: The scene where Derek returns to Brooke one last time before she leaves the city and they end up having sex on her sad mattress on the floor was not difficult for me to write emotionally, because it was really interesting, but I had to work very hard to achieve the nuance and messy mix of emotions and possibilities I was going for, the lack of specificity (in terms of right/wrong/ yes/no, love/hurt) that gives the scene its power.

GWR: Tell me about the research you did for Waiting for a Star to Fall?

KC: Because the seed of the novel is based on a real life story, I worked to distance myself from that by doing most of the work in my own head, permitting my characters to be far more interesting than the people who’d inspired them. After I’d written a draft, however, I read the very terrible memoir by the politician who’d inspired my idea, and this was so interesting because there were several things I’d guessed at and had gotten right (like how badly he’d treated his girlfriend) and also because I’d worked really hard to make Derek a sympathetic and interesting human being, but the memoirist did not seem to have been as concerned with this.

GWR: What made you decide to write the book from third person perspective and include a dual timeline? Was it easier or more challenging to write it this way?

KC: My book was originally written in the first person, which was necessary for me to get into Brooke’s head, but both my agent and I agreed that a third-person narration would be easier for the reader. People are really hard on female characters and Brooke is so young and often wrong, and I thought that giving readers a little bit of distance from her perspective would make them more sympathetic toward her.

The duel timeline came about organically, because present-day Brooke is living in a kind of exile and spending most of her time trying to make sense of the story of her relationship with Derek, which has fallen to pieces. So the two timelines allowed me that space for her reflection.  

GWR: If you could tell your younger self something about writing and becoming an author, what would it be?

KC: That it’s okay (and even advisable!) not to peak too soon. In 2007, I completed a creative writing Masters Degree, at which I was not very successful, and while it would have seemed to me at the time to be an unjust punishment that I’d have to wait another decade before my first novel was published, it was the perfect plan in retrospect. I am so happy that I was able to continue to learn and improve as a writer so that my published books are works I am really proud of.

GWR: What are you working on now?

KC: The same book I mentioned that I’ve been working on for five years (with starts and stops). It’s called Asking for a Friend and traces a friendship between two women across decades and continents, exploring how integral our friends are in the construction of our selves.

*A version of this post was published on STYLE Canada.

Sunday, October 18, 2020

Drawing Lessons by Patricia Sands

A special thank you to the author, Patricia Sands, for generously providing me with a copy to review.

Sixty-two-year-old Arianna arrives in the South of France for a two-week artists’ workshop. She is full of anticipation, but weighted down with the guilt of leaving her husband, Ben, back in Toronto—he is literally slipping away before her very eyes. 

After her husband's devastating diagnosis with dementia and caring for him with little time for herself, Arianna's family have convinced her to take some time away. It is in Arles where Arianna rediscovers her passion for art, finding comfort in her her fellow artists and from the guest lecturer, Jacques de Villeneuve. 

Drawing Lessons is one woman's moving journey to seek the permission of her heart to create a new life for herself. 

I had the sincerest pleasure of meeting Patricia, totally by chance, at a launch party for another author. She is absolutely delightful and her warmth and wonderful personality comes through on the page—her books are like reading letters from a cherished friend. 

Sands' intimate portrait of Arles will have readers falling in love with the city. Rich in art history, most notably, van Gogh, it is the perfect canvas for her story. Patricia carefully and compassionately writes about dementia, a disease that is sadly so prevalent today. It is through painting that Arianna begins the healing process and she is able to come to terms with her husband's condition. Art is the perfect vehicle for Arianna's story to unfold.  

What I love most about the book is reading about characters that are not widely published—a mature woman as well as someone who is on the autism spectrum disorder (ASD). This is refreshing. Thank you, Patricia, we all need more stories with diverse characters.  

Drawing Lessons is a reminder to enjoy the pleasures life has to offer, even the simple ones. 


PATRICIA SANDS is a proud indie author who is also delighted to be under contract with Lake Union Publishing for her Love in Provence series. Her award-winning debut novel The Bridge Club was published in 2010 and the audiobook is read by Patricia herself.

With a focus on her love of the south of France, women’s issues and ageing, her stories celebrate the feminine spirit and the power of friendship. Patricia encourages women of all ages to stare down the fear factor and embrace change.

Sands lives in Collingwood with her husband and travels whenever she can.

Sunday, October 11, 2020

The Wrong Family by Tarryn Fisher

A special thank you to Edelweiss and Graydon House for an ARC in exchange for an honest review.

Juno was wrong about Winnie Crouch.

Before moving in with the Crouch family, Juno thought Winnie and her husband, Nigel, had the perfect marriage, the perfect son—the perfect life. Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore.

As a retired therapist, she isn't one to judge. After being diagnosed with an illness, Juno just wants to enjoy the rest of the time she has left. But that is short lived when Juno overhears a chilling and disturbing conversation between Winnie and Nigel…

Juno shouldn’t get involved, but this could be her chance to make a few things right.

Because if you thought Juno didn’t have a secret of her own, then you were wrong about her, too.

Tarryn Fisher has a wicked and brilliant mind. The Wrong Family is her most well-written and polished book to date. Divided into three parts, the story takes place in a striking yet unsettling looking house in Greenlake, a neighbourhood in Seattle, WA. The narrative lives between Winnie's and Juno's third person perspectives. Both women are complex and well-developed, reader's will be shocked while living in their heads. 

The writing is slick and fluid, but there are a few missteps. There are instances where the narrative shifts in time causing overall confusion and for the reader to stumble. Fisher's audience will struggle with the book's overall bulk—there is an unnecessary scene (Friendsgiving) that introduces characters that do nothing to the plot, this is just filler. And at the climax/end/epilogue, there is a genre jump and the book reads more like a horror versus a psychological thriller.    

Tarryn's loyal and rabid PLNs will love this book. Her writing is completely captivating—Fisher wields words, they are definitely her weapon. Parts of the story are simply excellent! But the unreliable/unstable female narrator is so overdone right now and I wish that Tarryn would return to the more angsty relationships that are tinged with her signature darkness.  

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TARRYN FISHER is the New York Times and USA Today bestselling author of The Wives.

Born a sun hater, she currently makes her home in Seattle, Washington with her children, husband, and psychotic husky.

Tarryn writes about villains.

Wednesday, October 7, 2020

Magic Lessons by Alice Hoffman

A special thank you to Edelweiss and Simon & Schuster for an ARC in exchange for an honest review.

The Owens family bloodline begins with Maria in the 1600s. Abandoned as a baby in a snowy field in rural England, Maria is discovered by Hannah Owens who was an orphan herself. Hannah is known not only for her kindness and herbal knowledge, but also for the fact that she could read and write—a rare skill for a working woman from the country. She recognizes that Maria has a gift and teaches the girl all about the "Unnamed Arts." The first lesson: Always love someone who will love you back.

When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. It is here where she invokes the curse that will haunt her family for centuries to come and where she learns the rules of magic. These are the lessons that Maria will carry with her for the rest of her life. Love is the only thing that matters.

Magic Lessons (the pre-prequel to Practical Magic and the prequel to The Rules of Magic) takes place in 17th-century and centres around the Owens matriarch, Maria. Readers follow her journey from England, to the Caribbean, and Salem, Massachusetts. Maria learns how to unlock the power of magic, including the infamous Owens family curse—any man who loves an Owens woman is doomed.

What I love most about these characters is that they are all strong and powerful women—women that are feared by a world that is not ready for them. Hoffman excels when she is writing about sisterhood and the bond between women. At the heart of this series is love and these are exactly the types of stories that we need more of. 

There is going to be a fourth and final novel in the Practical Magic series that will primarily be about Sally's daughters as grown ups, and breaking the curse that was called down. I literally can't wait!

Magical. Beautiful.  Mesmerizing. Steeped in the history of witchcraft, Magic Lessons is Hoffman at her finest. 

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ALICE HOFFMAN has a BA from Adelphi University and an MA in creative writing from Stanford University.

Hoffman's first novel, Property Of, was written at the age of twenty-one, while she was studying at Stanford, and published shortly thereafter by Farrar Straus and Giroux. Since that remarkable beginning, Alice Hoffman has become one of our most distinguished novelists. She has published over thirty novels, three books of short fiction, and eight books for children and young adults.

Her novel, Here on Earth, an Oprah Book Club choice, was a modern reworking of some of the themes of Emily Bronte’s masterpiece Wuthering HeightsPractical Magic was made into a Warner film starring Sandra Bullock and Nicole Kidman. Her novel, At Risk, which concerns a family dealing with AIDS, can be found on the reading lists of many universities, colleges and secondary schools. Hoffman’s advance from Local Girls, a collection of inter-related fictions about love and loss on Long Island, was donated to help create the Hoffman Breast Center at Mt. Auburn Hospital in Cambridge, MA.

Hoffman has written a number of novels for young adults, including AquamarineGreen Angel, and the New York Times bestseller The Ice Queen. In 2007 Little Brown published the teen novel Incantation, a story about hidden Jews during the Spanish Inquisition, which Publishers Weekly has chosen as one of the best books of the year.

Her works have been published in more than twenty translations and more than one hundred foreign editions. Hoffman's novels have received mention as notable books of the year by The New York TimesEntertainment WeeklyThe Los Angeles TimesLibrary Journal, and People Magazine. She has also worked as a screenwriter and is the author of the original screenplay “Independence Day,” a film starring Kathleen Quinlan and Diane Wiest. Her teen novel Aquamarine was made into a film starring Emma Roberts. Her short fiction and non-fiction have appeared in The New York TimesThe Boston Globe MagazineKenyon ReviewThe Los Angeles TimesArchitectural DigestHarvard ReviewPloughshares and other magazines.

She currently lives in Boston and New York. 

Saturday, October 3, 2020

The Forgotten Daughter by Joanna Goodman

A special thank you to Edelweiss and HarperCollins Canada for an ARC in exchange for an honest review.

1992: French-Canadian factions renew Quebec’s fight to gain independence. Véronique Fortin, the beautiful but wild daughter of a radical separatist convicted of kidnapping and murdering a prominent politician in 1970, has embraced her father’s cause. When she falls for James Phénix, a journalist of French-Canadian heritage who opposes Quebec separatism, it comes as quite a surprise. Their love affair is as passionate as it is turbulent—they constantly struggle struggle between love and morals.

James’s older sister, Elodie Phénix, is one of the Duplessis Orphans. She becomes involved with a coalition demanding justice and reparations for their suffering in the 1950s when Quebec’s orphanages were converted to mental hospitals. This heinous political act of Premier Maurice Duplessis affected 5,000 children.

Véronique is the only person Elodie can rely on as she relives her trauma fighting for retribution while Elodie becomes a sisterly presence for Véronique, who continues to struggle with her family’s legacy.

The Forgotten Daughter is a moving portrait of true love, familial bonds, and persistence in the face of injustice. Each character is pushed to their moral brink, discovering which lines they’ll cross and how far they’ll go for what they believe in. 

Told through multiple third person point of view, The Forgotten Daughter is a story of love, loyalty, and friendship. Although it is a prequel to The Home for Unwanted Girls, it can function as a standalone novel, but I would recommend reading them in order. 

Goodman is a compelling storyteller who puts a spotlight on the dark, scandalous parts of Canadian history that quite frankly, nobody has heard of (including myself). But as the story progresses, I found that my attention waned. It is not as gripping as The Home for Unwanted Girls—there is too much going on and it didn't quite have the same flow as the prequel. The flashbacks, although important, are not plotted properly and muddle the timeline which is confusing. 

That being said, I highly recommend The Home for Unwanted Girls. Beautifully written with emotional depth, it is as close to perfect as a book can be.  


JOANNA GOODMAN is the author of five novels, including #1 national bestseller, The Home for Unwanted Girls as well as The Finishing School, also a national bestseller. 

Originally from Montreal, Goodman now lives in Toronto with her husband and two children.