A special thank you to Penguin Random House First to Read and NetGalley for an ARC in exchange for an honest review.
Fiona Davis' novel takes readers to the historic Dakota —the famous home of John Lennon from 1973 to his murder outside the building in 1980.
The story opens in England with Sara Smythe, a head housekeeper at an elegant hotel. She is offered a job by Theodore Camden after she saves one of his children from falling out a window. Wanting a better life, she accepts the job which is to be the managerette of the Dakota, an upscale apartment building in New York City.
Fast forward to 1985 New York City, where Bailey Camden has just completed a stint in rehab and is trying to get her life back on track. She is hired by her cousin, Melinda, to redecorate her apartment in the Dakota and is hopeful that this opportunity will relaunch her career. Davis joins the two storylines with the Dakota when Bailey finds Sara's belongings in a trunk in the basement of the decrepit building.
As a reader, the best parts of the story were in the past. Even though the 80s are by far my favourite decade, um hello, best music ever, I simply couldn't connect with Bailey and just wanted to stay with Sara. Davis fell victim of the duelling storylines and I feel of late that this style has been done too much and as an avid reader, this type of narrative is old hat.
Fiona Davis' novel takes readers to the historic Dakota —the famous home of John Lennon from 1973 to his murder outside the building in 1980.
The story opens in England with Sara Smythe, a head housekeeper at an elegant hotel. She is offered a job by Theodore Camden after she saves one of his children from falling out a window. Wanting a better life, she accepts the job which is to be the managerette of the Dakota, an upscale apartment building in New York City.
Fast forward to 1985 New York City, where Bailey Camden has just completed a stint in rehab and is trying to get her life back on track. She is hired by her cousin, Melinda, to redecorate her apartment in the Dakota and is hopeful that this opportunity will relaunch her career. Davis joins the two storylines with the Dakota when Bailey finds Sara's belongings in a trunk in the basement of the decrepit building.
As a reader, the best parts of the story were in the past. Even though the 80s are by far my favourite decade, um hello, best music ever, I simply couldn't connect with Bailey and just wanted to stay with Sara. Davis fell victim of the duelling storylines and I feel of late that this style has been done too much and as an avid reader, this type of narrative is old hat.
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