A special thank you to NetGalley, BookishFirst, Gallery/Scout Press, and Simon & Schuster Canada for an ARC in exchange for an honest review.
Meet Queenie Jenkins—a 25-year-old Jamaican British woman who is straddling two heritages and trying find her place. She has just been dumped by her long-time white boyfriend and is on notice at work where she is constantly comparing herself to her white middle class peers.
Needless to say, Queenie is not in a good frame of mind and she is making some pretty awful decisions concerning who she spends her free time with and with whom she is seeks comfort from.
Carty-Williams has written an honest account of one woman's struggle, which sadly many women can relate to, and at the same time, given us a character to root for. Unfortunately Queenie's story isn't unique, there are many women out there struggling with issues of sexism, racism, and self-acceptance. She is a modern woman trying to navigate her way through a messy break-up, figuring out where she fits in, and learning that her self-worth does not come in the form of toxic relationships.
Queenie is so much more than Bridget Jones, and I don't mean that as a slight to Helen Fielding's brilliant heroine, but there is no comparison. Bridget is a funny, awkward, and endearing character that journals her life in cheeky entries, whereas Queenie is a more serious character with incredible depth. There is also a heaviness about the story and again, this is another reason why a Bridget Jones comparison is doing this novel a disservice.
I adored her grandparents, especially her grandfather (and those of you who have read this book will know what scene I am referring to). What I didn't like was that the author uses Queenie's promiscuity as a symptom of her anxiety and I'm not sure that this is entirely accurate—I think that it is rather a symptom of her lack of self esteem.
What is also interesting is that Carty-Williams makes no apologies for Queenie, nor should she. She is a bold, brash, and flawed character who at times does some really unlikeable things. But we keep pulling for her.
Carty-Williams explores identity, racism, mental health and what its like to be a young woman in the dating scene in the age of technology. She tackles some daunting social issues and uses Queenie's humour and solid supporting cast of friends/grandparent to keep the story from getting too dark.
CANDICE CARTY-WILLIAMS is a Senior Marketing Executive at Vintage. In 2016, she created and launched the Guardian and 4th Estate BAME Short Story Prize, which aims to find, champion, and celebrate Black, Asian, and minority ethnic writers.
She contributes regularly to Refinery29 and i-D, and her pieces have been shared globally, especially those about blackness and sexuality. Queenie is her first novel.
Meet Queenie Jenkins—a 25-year-old Jamaican British woman who is straddling two heritages and trying find her place. She has just been dumped by her long-time white boyfriend and is on notice at work where she is constantly comparing herself to her white middle class peers.
Needless to say, Queenie is not in a good frame of mind and she is making some pretty awful decisions concerning who she spends her free time with and with whom she is seeks comfort from.
Carty-Williams has written an honest account of one woman's struggle, which sadly many women can relate to, and at the same time, given us a character to root for. Unfortunately Queenie's story isn't unique, there are many women out there struggling with issues of sexism, racism, and self-acceptance. She is a modern woman trying to navigate her way through a messy break-up, figuring out where she fits in, and learning that her self-worth does not come in the form of toxic relationships.
Queenie is so much more than Bridget Jones, and I don't mean that as a slight to Helen Fielding's brilliant heroine, but there is no comparison. Bridget is a funny, awkward, and endearing character that journals her life in cheeky entries, whereas Queenie is a more serious character with incredible depth. There is also a heaviness about the story and again, this is another reason why a Bridget Jones comparison is doing this novel a disservice.
What is also interesting is that Carty-Williams makes no apologies for Queenie, nor should she. She is a bold, brash, and flawed character who at times does some really unlikeable things. But we keep pulling for her.
Carty-Williams explores identity, racism, mental health and what its like to be a young woman in the dating scene in the age of technology. She tackles some daunting social issues and uses Queenie's humour and solid supporting cast of friends/grandparent to keep the story from getting too dark.
CANDICE CARTY-WILLIAMS is a Senior Marketing Executive at Vintage. In 2016, she created and launched the Guardian and 4th Estate BAME Short Story Prize, which aims to find, champion, and celebrate Black, Asian, and minority ethnic writers.
She contributes regularly to Refinery29 and i-D, and her pieces have been shared globally, especially those about blackness and sexuality. Queenie is her first novel.
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