Friday, July 31, 2020

Final Cut by S. J. Watson

A special thank you to Edelweiss and HarperCollins for an ARC in exchange for an honest review.

Blackwood Bay, a quaint village in the northern part of England, was originally famous for the smuggling that occurred along its coastline centuries ago. But when two local girls disappear, the town has a new notoriety, one that's dark and brooding.

After her sophomore film is declared a flop, Alexandra Young's film making career is in jeopardy. She is convinced to make her next documentary in Blackwater Bay, with its residents telling their own stories. Alex also has ties to the village having spent her troubled childhood there. Instead of a picturesque setting, she finds instead a village that is afflicted with tragedy.

Alex gets more than she bargained for when her work unearths secrets both old and new. It appears that the suicide of 15-year-old Daisy Willis, who plunged to her death from a cliff a decade ago, may be connected to Zoe Pearson, another teen who went missing seven years earlier. Or at least that's what some of residents think. When another girl goes missing, the town wants answers and everyone is a suspect.

In Final Cut, Watson explores themes of memory and identity through the lens of a documentary. In Alexandra Young, we have a narrator with secrets of her own who goes from being an observer behind the camera to part of the story.

There is no question that S. J. Watson is a fantastic writer. The plot is perfectly paced and executed, the setting atmospheric, and the characters are well developed. The difference between three and four stars is because the storyline started to go in circles versus linear—I'm not sure if this was a strategy to build suspense, but it detracted from the overall enjoyment of the story.

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S. J. WATSON is the award-winning author of Before I Go to Sleep, which has sold more than four million copies in over forty languages, followed by the critically acclaimed novel Second Life.

Watson lives in London.

Thursday, July 30, 2020

Age of Consent by Amanda Brainerd

A special thank you to the author, Amanda Brainerd, for an ARC in exchange for an honest review.

Arriving to Griswold Academy, Justine doesn't want to be seen in her dad's orange Volvo. She is not as privileged as the rest of her classmates—her parents run a theatre and struggle to pay their bills. Eve, a sophisticated daughter of Park Avenue parents, may be well off, but she too feels like an outsider. The girls become best friends and navigate their way through relationships, drugs, alcohol, and Griswold's in crowd and predatory male teachers.

After a less than stellar school year, the girls spend the summer in New York City with Eve’s childhood friend, India. Justine moves into India’s Hell’s Kitchen apartment and becomes more enamoured with her friends’ glamorous lives. Always under her parents' watchful eye, Eve interns at a SoHo art gallery with an unpredictable boss whereas India struggles to resist the advances of a famous artist represented by the gallery. All three women are affected by their sexual relationships with older men and struggle to assert their independence.

Age of Consent is a story about friendship, sex, and parental damage.

Set in 1983, Age of Consent is a nod to the 80s. Brainerd sprinkles pop culture references throughout but doesn't succeed in immersing her reader in the decade known for extreme fashion and incredible music (New Wave). What happens instead is that the novel is kind of affected, for example, the school is named Griswold Academy...

The whole thing is flat—the characters, the dialogue, the story—and there is an unnecessary subplot. Being set in the 80s, there is a lot to work with and yet nothing really happens. I had such high hopes for this novel, but ultimately it was not the promised captivating coming of age story and failed to evoke any nostalgia for my teenage years.

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AMANDA BRAINERD graduated from Harvard College and earned a Master of Architecture from Columbia University after being expelled from Choate Rosemary Hall boarding school in the 10th grade.

Brainerd lives in New York City where she is a real estate broker, wife and mother of three. Age of Consent is her debut novel.

Wednesday, July 29, 2020

The Middle-Aged Virgin in Italy by Olivia Spring

A special thank you to the author, Olivia Spring, for inviting me to participate in the blog tour and for generously providing an ARC in exchange for an honest review.

Sophia traded grey and rainy London for lush and sunny Italy to be with her boyfriend, Lorenzo. Initially enchanted by the pretty medieval hilltop town with its quaint cobblestone streets and postcard views, she thought she would be spending her days basking in the Italian sun while eating pasta and gelato with her handsome man and adorable baby. But instead, Sophia is missing her friends, struggling with the language, and not connecting with Lorenzo's mother. And to top it off, the woman who she left in charge of her successful PR firm isn't cutting it—Robyn is forgetting to respond to important clients and missing deadlines. Oh and she's also lost her sex drive.

Will the pressure be too much for Sophia? Will she be able to get her groove back and have her happily ever after?

If you are a fan of Sophie Kinsella and Lindsey Kelk, then this book is for you! The Middle-Aged Virgin in Italy is a rom-com for the modern woman who is trying to juggle it all.

Spring's second instalment in the series offers up strong and relatable characters. She infuses her stories with humour and heat (warning: some may be offended at the language and sex scenes). Spring writes an honest account of the struggles of being a new mother and the pressure to look like you have everything under control without any assistance, when in fact, everybody needs help at one time or another. Sophia is what we need more of—she is a leading lady who is not afraid to take control of what isn't working in her life. Readers will be rooting for her as she is trying to regain her mojo in the bedroom while navigating her way living in another country.

I adore all of Sophia's friends. Readers of Olivia's other books will be thrilled to see Roxy and Bella, and be delighted to meet Geli. This is where Spring really hits her stride—the scenes with Geli are some of the best in the book.

The Middle-Aged Virgin in Italy can function as a standalone novel, or can be the sequel to The Middle-Aged Virgin. Congratulations, Olivia on another smart, sassy, and sexy book! 

OLIVIA SPRING is a PR professional from London. She loves cake and has always wanted to be a writer. Because she still works in public relations, she adopted a pen name to spare the embarrassment of any clients that may read anything racy.

Tuesday, July 28, 2020

Being Lolita by Alisson Wood

A special thank you to the author, Alisson Wood, and NetGalley for an ARC in exchange for an honest review.

As a 17-year-old senior, Alisson Wood is a bit of a loner who takes solace in writing. Alisson is getting extra help outside of class from Mr. North, a 27-year-old English teacher. Mr. North is constantly praising her writing, calling her special and gifted. Alisson is flourishing under his attention.

"Have you ever read Lolita?" 

Mr. North gives Alisson a copy and tells her to read it, citing it as a beautiful love story. The book soon becomes the mirror to their relationship—it started as a crush and blossomed into a forbidden and scandalous romance, one that is only rivalled by Nabokov's masterpiece.

As Mr. North's hold on her tightens and the relationship becomes abusive, Alisson must take back her power and the pen, and rewrite her own narrative. 

Being Lolita is a stunning piece of work. It is a study of Lolita itself, that is unfortunately at the expense of a young girl. A girl that should've been nurtured and protected, but instead became exploited and a victim of abuse. This is nothing new—men in positions of power that prey on women who have been taught that they should welcome the attention of a man, no matter in what form. 

This coming-of-age memoir is powerful, gripping, and consuming. It is an unflinching look into an extreme abuse of power and consent. Alisson Wood is brave, she is a survivor who by telling her story, takes back her power. And while this book isn't anything new or fresh, Wood's writing was truly remarkable and inspiring. 


ALISSON WOOD holds an MFA in Fiction from New York University. Alisson’s essays have been published in the New York Times, Catapult, and Epiphany. She was a winner of the inaugural Breakout 8 Award from  Epiphany Magazine and Author’s Guild.

Wood holds an MFA in Fiction from New York University and teaches creative writing at her alma mater and at Sackett Street Writers’ Workshop. 

Lies, Lies, Lies by Adele Parks

A special thank you to Edelweiss, NetGalley and Harlequin MIRA for an ARC in exchange for an honest review. Thank you also to Harlequin for the opportunity to be a part of the Blog Tour.

Daisy and Simon's marriage is on the rocks. Even though they've been together for years, the only thing that ties them together is their love for Millie, the daughter they longed for.

Simon is a struggling alcoholic and Daisy is finding it increasingly difficult to hide her complete and utter disgust towards him. Millie is the only light in their married life—she is beautiful and perfect.

One night after a party, things spiral horribly out of control. Their family will never be the same.

With incredibly flawed characters, Adele Parks' latest work is a domestic drama/suspense that has got some teeth. Lies, Lies, Lies is a slow burn with a cast of layered and highly developed characters—some of which are not particularly likeable or redeemable.

Parks writes about some extremely difficult issues—addiction, sexual assault, and postpartum depression—and some readers may be triggered. She does an excellent job with Simon's alcoholism its impact on his life and those around him.

A riveting character study, this book covers the full gamut of lies: denials, omissions, exaggerations, and fabrications so explosive that the consequences will forever change lives. Lies, Lies, Lies is a dark and unflinching tale with the most insidious final twist.

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ADELE PARKS' first novel, Playing Away, was published in 2000. Since then, she's had seventeen international bestsellers, translated into twenty-six languages.

Parks lives in Guildford, Surrey, with her husband, son and cat.

Wednesday, July 15, 2020

The Woman Before Wallis by Bryn Turnbull

A special thank you to Edelweiss, NetGalley, and Harlequin MIRA for an ARC in exchange for an honest review. Thank you also to Harlequin for the opportunity to be part of the blog tour.

The Woman Before Wallis a is fictionalized story of the American divorcée, Thelma Morgan, the woman who captured the affection of Prince Edward before he abdicated his throne for American socialite, Wallis Simpson.

In the summer of 1926, after a whirlwind romance, Thelma Morgan marries Viscount Duke Furness. She's immersed in a gilded world of extraordinary wealth and privilege. For Thelma, the daughter of an American diplomat, her new life as a member of the British aristocracy is like living a fairy tale—even more so when her husband introduces her to Edward, Prince of Wales. 

In a twist of fate, her marriage to Duke leads her to fall precipitously into a love affair with Edward. But their relationship is threatened when Thelma’s sister, Gloria Morgan Vanderbilt, becomes ensnared in a scandal with far-reaching implications. When Thelma sets sail for New York to support Gloria, she asks her friend Wallis to look out for Edward, never imagining the turn of events that would transpire.  

Set in two different time periods, The Woman Before Wallis takes place in Paris in 1925, which provides Thelma's backstory, and alternates with the 1934 storyline where Thelma goes to New York City to help her twin sister, Gloria. My only criticism is that I think the narrative should've been linear, in chronological order, versus alternating timelines. 

Although it is a love story, it is not a royal romance per se. It is an intimate look at the love between sisters: Thelma supported her sister in an age when being gay was seen as unacceptable except, as Gloria points out, in high society. And there is also less of the scandal that was advertised—perhaps because we all know what happened with Wallis, and this wasn't her focus, it was on the trial of Gloria Vanderbilt. 

And can we just appreciate the cover for a moment?

This book starts off slow, but be patient. It is meticulously crafted and worthy of your time. Given that it is historical fiction, Turnbull has taken some liberties, but she strikes the right balance between fact and fiction. If you binge watched The Crown, then I highly recommend this book!


BRYN TURNBULL has a master's of letters in creative writing from the University of St. Andrews, a master's of professional communication from Ryerson University, and a bachelor's degree in English literature from McGill University.

Turnbull lives in Toronto.



Q&A with Bryn Turnbull

Everyone knows the story of Edward and Wallis. What drew you to Thelma’s story instead?

Thelma’s affair with Edward is only aspect of her story: she was on the periphery not only of the abdication crisis, but also the biggest custody battle in US history to date. She was something of a Kardashian in her day – famous for being famous – but she was also strong-willed, and willing to stand up for those she loved. Other people have written beautifully about Wallis and Edward, but Thelma’s story deserved to be told on its own merits.
 
This novel contains the real-life stories of real life people—some of whom have living descendants. How did you balance the drive to tell a good story against the historical record in terms of character development?

It’s a tricky balance to strike, but at the end of the day my job is to tell a good story, taking as much historical fact into consideration as I can without sacrificing the plot. I spent a lot of time researching the people who make up my book: luckily, Thelma and Gloria wrote a memoir, and we have plenty of letters, biographies, and recordings of Edward VIII and Wallis Simpson, so by the time I started actually writing, I had a very good sense of who they were. Wallis in particular leapt out of the pen, and I think that’s because she’s left such a legacy behind. I certainly hope that they would see themselves in the characters I’ve created, but at the end of the day these are fictional representations.
 
How did you find Thelma’s story?

I’d long been interested in the abdication crisis, and had read biographies of Wallis Simpson before, but I’d never really picked up on Thelma’s story until I watched W.E., a movie directed by Madonna about Wallis and Edward’s relationship. In the film, we see Wallis and Thelma have that conversation where Thelma asks Wallis to “take care” of Edward for her while she’s travelling, and I remember thinking it was such a strange request to make of a friend—even one as close as Wallis was to Thelma. After the movie ended I found myself down a bit of a Wikipedia rabbit hole, where I discovered her connection to the Gloria Vanderbilt trial, and recognized that this was a story that ought to be told.
 
One of the major relationships in this novel is between Gloria and Nada. Why was it important to you to show a relationship between two women in the 1930s?

Their relationship is historical fact: it would have been disingenuous to omit it from the book. I truly believe that Gloria loved Nada, and had they lived in a different time period their story would have ended quite differently. What’s more interesting to me is the fact that their relationship was permitted because of social privilege—and when Gloria lost that privilege, their relationship fell apart.
 
How does Gloria’s experience as a queer woman shape Thelma’s actions?

To me, The Woman Before Wallis is a love story—but it’s not a royal romance. While the abdication crisis looms large over Thelma’s life, this is a book about the love between sisters: Thelma supported her sister in a day and age when being gay was seen as unacceptable—except, as Gloria points out, in the highest echelons of society. In the history books, Thelma has often been dismissed as a lesser socialite, but when it comes down to it, she was a deeply principled woman, and her experience as an ally spoke to me.
 
After spending so long with his character, how do you feel about Edward VIII and his decision to abdicate?

I think Edward VIII would have found an excuse to abdicate, regardless of whether Wallis Simpson had come into his life or not. He was a fundamentally weak man, and would have made a fundamentally weak king – and while in my novel I have him talk to Thelma about the sort of king he wants to be, I don’t think he ever intended on taking up his crown. If it hadn’t been Wallis, he would have found another excuse to abdicate.
 
That said, Thelma was genuinely in love with him. It was important for me to find a way into that love, and to be able to portray him with some compassion.
 
Edward VIII and Wallis Simpson are known to have been Nazi sympathizers. Why don’t you address this in your book?

I don’t address it for three reasons. First, Thelma and Edward’s relationship ended in 1934. Hitler only became chancellor in 1933, so while he would have been a topic of conversation around the dinner table, he wouldn’t have been the main topic of conversation. Second, Thelma was not a political person. One of the biggest complaints the government levied against Wallis Simpson was her political activism—in fact, when it became clear Edward wouldn’t give Wallis up, there was a movement within government to invite Thelma back to England because she wasn’t seen as someone who would interfere in politics the way Wallis did. Finally, the sad fact is that many members of Britain’s upper crust had extreme right-wing leanings in the 1930s, and many were generally supportive of Hitler’s policies. At the time, socialism was seen as a far greater threat than fascism, particularly because the General Strike of 1926 had been so successful in disrupting industrial production. Oswald Mosley’s British Union of Fascists had 50,000 members at the height of its popularity in the 1930s.
 
In the end, I find it incredibly interesting that history shook out in such a way that Britain had the king it needed during the war. Could you imagine what would have happened if George VI hadn’t been on the throne during the Blitz?
 
Do you think Wallis intended to replace Thelma?

I don’t think she did. Whatever else has been written about her—and there has been a lot written about her—Wallis was an extremely ambitious social climber. I believe that Wallis was genuinely trying to keep Edward’s eye from straying, for Thelma’s sake, but when it became clear that his affection had transferred to her, she didn’t feel too much guilt in taking advantage of the situation.
 
She certainly didn’t intend to marry Edward—that much is clear. In 2011, Anne Sebba published a biography of Wallis Simpson which contains previously unpublished letters between Wallis and Ernest Simpson—she wrote to him until the end of her life, and expressed regret at having ended their marriage. I believe that Wallis had hoped to take advantage of Edward’s attraction to make new friends and move in the highest social circle in Britain. She genuinely believed that Edward would tire of her before too long—when he didn’t, I think she was as surprised as anyone else.
 
What did you enjoy most about researching this book?

I wasn’t on any fixed timeline to complete this book, so I was able to spend two full years researching—just researching!—the time period. I particularly enjoyed researching the fashion of the 1930s—the attention to detail is incredible, especially for someone who had Thelma’s budget. I was able to access a lot of newspaper articles about the Vanderbilt trial at the New York Public Library, which really helped me understand the frenzy that the trial had created. A photographer actually did try to rappel down the side of the courthouse to get a picture of the proceedings! The trial reached newspapers in Pakistan! I went to London and walked Thelma’s neighbourhood—while Duke’s Arlington townhouse is no longer there, I visited her home in Mayfair and had drinks in the Ritz.
 
My favourite research moment, though, was finding Edward’s plane, and while I wish I’d had the right place to put it in the manuscript, it did help me come to an understanding of who he was as a person. One of his planes is at the Vintage Wings museum in Gatineau, Quebec, and I was able to visit it: it’s a beautiful little biplane with an open cockpit and a closed cabin for passengers. The plane itself looks like a Rolls Royce, with beautiful a chrome and indigo body and burgundy leather interior: but the best part of it is that Edward had a small generator installed on one of the wings so that he could power a wireless radio. While that sounds like a good idea, Vintage Wings was kind enough to take me up in a plane of a similar vintage, and I was struck by how unbelievably loud it was up in the air. Even with headphones on, it would have been extremely difficult to hear anything on a wireless.
 
I think this really sums up who Edward was. He was so concerned with his image – with looking and feeling like a modern royal – that he forgot to take into account the practicalities of the situation. 

Tuesday, July 7, 2020

Hurry Home: A Novel by Roz Nay

A special thank you to NetGalley, Simon and Schuster Canada, and Crooked Lane Books for an ARC in exchange for an honest review.

Two estranged sisters are trying to keep their dark secret in the past where it belongs,

Alexandra Van Ness has the perfect life. She shares a posh loft that’s tucked away in the mountains with her boyfriend, Chase, a handsome ex-ski racer. Alex works as a child-protection social worker, her dream job, where she is passionate about saving children at risk.

But when her long-lost sister, Ruth, unexpectedly shows up at her door asking for help, Alex’s perfect life is turned upside down. Growing up, Ruth was always getting in trouble and bringing Alex down with her. Their relationship is fraught with tension, hurt, and regret.

Alex decides to let Ruth stay under one condition: they will never speak of the past. But when a local child is in danger, Alex gets too involved and the secrets from long ago come back to haunt her with terrible consequences for everyone.

Hurry Home is a utterly captivating. I'm beyond gobsmacked that this is only Nay's second book because her writing is extremely polished and so effortless. She is a remarkable storyteller that excels in plotting, pacing, and character development.

The relationship between the sisters is the backdrop of this thriller. Nay twists this relationship so that it becomes the thing that destroys them—the women share a secret that only they know. With complex, flawed characters, the reader goes back and forth with their loyalty between the sisters and doesn't know who to believe. Both women are trying to reinvent themselves while running from a traumatic incident from the past, but the past always catches up to you one way or another.

Told from alternating perspectives, Nay keeps her readers guessing as to who is telling the truth and who is lying. She also plays on stereotypes surrounding class as well as utilizes her background in child protection by offering a glimpse into the harsh reality of the social services/child welfare system. 

This psychological thriller is about the bond betweens sisters, the lies that bind, the affects of loss, and how one terrible mistake can have devastating consequences.

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ROZ NAY is the award winning author of the national bestseller Our Little Secret

Nay has lived and worked in Africa, Australia, the US, and the UK. She lives in British Columbia, Canada with her husband and two children.



Q & A with Roz Nay*

GWR: What does your writing process look like? Are you a pantser (fly by the seat of your pants) or a plotter?

RN: I used to be a huge enormous pantser, and just kind of wing it in books and in real life. I'd get the setting and the characters before I figured out the problem; and while that's still true, I've learned that if I'm going to be successful in terms of deadlines, I need to defect to the plotter camp. I now plan the book quite meticulously, including color-coded post-it notes, beat by beat, which is something my editors are rejoicing about, I think. So, I'm a reformed plotter. But I still wing it in real life.

GWR: What was the inspiration for Hurry Home?

RN: I think that a lot of the book is inspired by my day job in child protection. I know all the worst stories about this idyllic mountain town in which I live, and I'm interested in the notion of underbellies. I also have two sisters, and wanted to write about that kind of devotion as a theme. We'd all go pretty far for our sisters, right?

GWR: Did you conduct any research for the book?

RN: I needed to get the family services pieces right, but I consulted with colleagues who I see on a daily basis, and they were very helpful in terms of 'what would happen next' legalities. I seem to have female friends doing full-on, frontline work in this town - in child protection, in mental health and addictions, in all kinds of medical arenas - so I called on them for fact-checking.

GWR: What character did you sympathize with the most and did that change while writing the story?

RN: Ruth. And no, that didn't really change. I always knew who she was and what had happened to her.

GWR: What was the hardest scene to write?

RN: The scene at the start of Part II where we find out the big, awful secret that the sisters have been keeping to themselves all these years. It was a tough one—I cried when I wrote it, and felt surprised by it every time I edited it, as if it was someone else's awful story.

GWR: Did you set out to write a domestic thriller, or did Hurry Home evolve into one?

RN: I think Hurry Home was hoping to be a tragic love story, with Sully as more of a centrepiece, and through the course of extensive edits, it got told to stop wriggling. It isn't a typical thriller in that it's not relying on typical thriller ingredients - there are no murders, stalkers, psychopaths or kidnappers - nothing that really constitutes the usual bad behaviour within the genre. Instead, I was exploring a more subtle, tragic way to be despicable, and in that sense it became an everyday villainy, settling into its domestic thriller spot.

GWR: The relationship between the sisters is the backdrop of this thriller. Were you writing from experience, or did you draw inspiration from another author who is especially good at writing female relationships?

RN: I'm the youngest of 3 sisters and, although my relationship with them is a lot healthier than that of Alex and Ruth, I still understand the forcefield of sisterhood, the ways in which you understand each other even if you're at odds. I'd do anything for my sisters, and I think that's an interesting backdrop for a thriller. It's compelling to be bound by something that destroys you and locks you together in equal measure.

GWR: If you could tell your younger self something about writing and becoming an author, what would it be?

RN: Just to enjoy the simplicity of writing things down. It's really what it's all about. I used to dwell only in this zone as a younger writer, because I didn't know I was a writer yet! Now that I'm further into the industry, other factors creep in - pressure, harsh reviewers, competitiveness, the need to succeed - and I have to remind myself of simpler times. All you have is the book, and the rest is beyond your control anyway.

GWR: What are you working on now?

RN: I've just completed a third thriller and am about to start the edits. It's a thriller about a couple who take a job overseas in Africa, and befriend another couple along the way who seem very cool, collected and sexy. Of course, they're none of those things; but by the time that's evident, they can't get rid of them. It was a really fun book to write, and if edits go well, it should be out next year!

*A version of this post was published on STYLE Canada.

Monday, July 6, 2020

The Last Wife by Karen Hamilton

A special thank you to Edelweiss, NetGalley, Harlequin, and Graydon House for an ARC in exchange for an honest review. Thank you also to Harlequin for the opportunity to be a part of the Blog Tour.

Marie Langham is devastated when her friend since childhood, Nina, is diagnosed with terminal cancer. Before Nina dies, she asks Marie to look out for her family—her two kids, and husband, Stuart. Of course Marie says yes, she would do anything for Nina.

After Nina's death, Marie begins to learn more about her friend, especially when Camilla, a mutual college friend, reappears. Once envious of Nina's life, Marie comes to realize that nothing is what it seems. She has to figure out what is true and who she can trust before the consequences of Nina's dark past destroy her.

The Last Wife has an interesting premise: best friends, one of whom has a dying wish for the other to watch over her husband and children. But what unfolds instead is a story of never knowing exactly who is telling the truth—it becomes a cautionary tale to be careful what you wish for. And maybe to never join a book club.

While this book is being marketed as a thriller/mystery, it is more of a family drama with very little suspense. Although Hamilton is a great writer and starts off strong, she ultimately loses the plot—it simply overwhelms her. There is also a lot going on for the reader to keep track of.    

Maria is the type of unreliable narrator that is prone to rambling and too much page time is dedicated to her musings. Unfortunately, as a whole, the cast of characters are lacking and I had trouble connecting with them. 

That being said, I would definitely give Karen Hamilton another try. 


KAREN HAMILTON spent her childhood in Angola, Zimbabwe, Belgium and Italy and worked as a flight attendant for many years. She is a recent graduate of the Faber Academy and the author of the international bestseller The Perfect Girlfriend.

Hamilton resides in Hampshire with her young family and husband.



Q&A with Karen Hamilton

What's the "story behind the story" with The Last Wife?

The idea for The Last Wife first came to me when I was setting up a book-group with some friends in my village. While I was researching book-group reads and recommendations online, I came across some stories which suggested that not all groups were friendly and welcoming. This really surprised me. While creating Marie’s character, I thought about how she would go about trying to join a well-established group. I also knew that I wanted the house that Marie so desperately covets to be in the woods because although they can be stunning, they can also set the scene for somewhere creepy and menacing.

So much of the story takes place in Ibiza, why did you choose that location? Have you ever been there? 

It’s one of my favourite places to visit, even though I haven’t been as recently as I’d like. Although it has a reputation for being a party island, it has the most stunning beaches and scenery. I thought that this would be a likely place for Marie and her friends to visit at that time in their lives.

Which character in this novel  is most like you and why?
  
Oooh, hopefully none! 😊 Although I’m now fortunate to have three children, I did experience fertility issues so I was able to write from personal experience about how it may feel for Marie not to be able to conceive. I also went to therapy ‘in character’ (a psychotherapy service called Characters on the Couch) to delve deep into Marie’s manipulative mind.

Do you have any specific writing rituals?

I’m definitely a morning person. Prior to lockdown, I would keep to school hours. Since then, it has been harder with home-schooling, but I try to write as much as I can when I first wake up. I usually write at home, but prior to lockdown I was happy to write anywhere: on trains, in cafes, on planes.

What message do you hope readers take away from The Last Wife?

That the grass isn’t necessarily greener.
 
What can you tell us about your next project?

That I’ve been to ‘therapy’ again for this protagonist! It’s another manipulative main character within an international setting.
 
Thank you so much for all your kind support.

Sunday, July 5, 2020

How to Save a Life by Liz Fenton and Lisa Steinke

A special thank you to NetGalley and Lake Union Publishing for an ARC in exchange for an honest review.

To say that Dom is having a bad day is an understatement. And to make matters worse, he can't escape it.

Don and Mia broke up almost a decade ago and he's never gotten over her. So when he bumps into his ex-fiancée in a serendipitous meeting, he can't help but think that fate has intervened and offered him a second chance.

When Mia tragically dies on their date, Dom makes a plea to the universe to be given the opportunity to save her. The next morning, Dom wakes up and is ecstatic to learn that his wish came true—Mia is still alive! But no matter what he does, day after day, she meets the same terrible fate.

The harder Dom tries, the more obsessed he becomes with saving Mia and rekindling their relationship. Forced to take a long hard look at who he has become, Dom needs to work through his life choices in order to be a better version of himself and save Mia in the process.

How to Save a Life is modern twist on Groundhog Day that asks the question: How far are you willing to go to save the life of someone you love?

Fenton and Steinke are a powerhouse duo that are truly gifted storytellers. Over the course of the narrative, they explore several scenarios for Dom to tackle his flaws which he believes will rescue Mia. They also look at the effects of grief and extreme trauma, and juxtapose this against love and missed opportunities.

I absolutely loved it. Congratulations, Liz and Lisa!

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LIZ FENTON & LISA STEINKE are the author team of five novels, including The Two Lila BennettsGirls' Night Out, and the The Good Widow.

Liz and Lisa have been best friends for 30 years.