Showing posts with label Young Adult. Show all posts
Showing posts with label Young Adult. Show all posts

Tuesday, January 18, 2022

Tahira in Bloom by Farah Heron

A special thank you to the author, Farah Heron, for a copy of the book in exchange for an honest review.

When seventeen-year-old Tahira Janmohammad’s coveted fashion internship falls through, her over-involved parents have a backup plan. They have arranged for her to help at her aunt's boutique—it's only for the summer and she'll gain the experience she needs for her college application.

The only problem is that it is not in trendy Toronto, it's in the small town of Bakewell, the flower capital of Ontario. Even though Tahira is allergic to flowers, she decides it won't that bad. That is until she meets the boy next door. Although he's super handsome, Rowan Johnston is rude, obsessed with gardening, and has terrible fashion sense. 

Tahira discovers that the floral sculpture competition at the annual flower festival may be the in she needs with a famous New York City streetwear designer. In order to win, she has to find a way to work with Rowan.  

Turns out floral design is actually pretty great and so is Rowan. But Tahira is about to find out what she's made of and made for—she plants her dreams and begins to bloom. 

Tahira in Bloom is a coming-of-age romcom that addresses some of the larger issues that teenagers face, like the pressures of social media and the struggle to find your identity. But Heron does this through the lens of a modern Muslim teenager who also faces microagression, racism, and lack of representation.  

The characters are vibrant and layered. Heron writes her leads on equal footing and bases their attraction on mutual respect—Tahira and Rowan both admire each other’s talents. Her drive stems from her strict and hyper-focused parents, and the goals that she sets for herself are as lofty as her parents' expectations. Although they come off as strong, her mother and father are incredibly supportive. The secondary cast of characters are well-developed and diverse—they are just as memorable and completely worthy of their page time. 

Tahira in Bloom is a fresh YA romance that's filled with fashion, flowers, and witty banter. It's an absolute delight!

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FARAH HERON is a critically acclaimed author of romantic comedies for adults and young adults filled with huge South Asian families, delectable food, and most importantly, brown people falling stupidly in love. Her debut, The Chai Factor, was named one of the summer’s best books by The Globe and Mail. Her next book, Accidentally Engaged, was listed as a best book of 2021 in Entertainment WeeklyUSA Today, NPR, CBC Books, Kobo, and more.  

Heron lives in Toronto with her husband, two children, and a rabbit named Strawberry and two newly adopted cats.


Q & A with Farah Heron*

GWR: What does your writing process look like? How many hours a day do you write?

FH: I don’t have a set routine, but I tend to do more actual writing at night. During the day I get all my promo and business stuff taken care of. Right now, with everyone at home, it can be hard for me to turn off my brain enough to focus until everyone else has gone to bed. 

GWR: Is there a particular author/work that inspired you to become a romance writer? Who are some other authors that are especially good with writing relationships and/or friendships?

FH: I was inspired to write by several writers. Back in the 90s (I know, I’m dating myself here) I loved rom-coms in the chick-lit craze. One of my favourites was Marian Keyes for her ability to blend very serious topics with romance and humour. Then a little later in life I discovered historical and contemporary romance. As I read more of them, I had trouble turning off my own stories in my head, so I started writing. Around then I discovered the work of Sonali Dev. Before her, I didn’t know that there was a market for romances with Indian characters and Indian culture with specificity. Since then, I have written stories set in my own culture. 

GWR: If you could tell your younger self something about writing and becoming an author, what would it be?

FH: I would have told myself to start writing instead of just telling myself that I should try writing one day. I didn’t start writing fiction until 2016, when I was nearly forty. Things moved quickly for me in my writing career, but I wish I had taken the plunge before then. But at the same time, publishing in the past wasn’t what it is now, and I’m not sure I would have been able to get published with my Indian-Canadian rom-coms before now.

GWR: Tahira in Bloom is your first foray into YA. Did you approach it the same way as your other works? 

FH: Not at all! My adult rom-coms are about millennials for the most part. And even though I am a bit older than that (aging myself again!), I am pretty much writing my adult characters from my own worldview. But my teen characters are gen Z. They are basically my own teenage kid’s worldview. I used to be a youth counsellor, so I also drew on my experiences there to get the "teen brain" right. Another difference is my adult books are about the children of immigrants (for the most part). The characters have that culture clash between their immigrant parents, and their North American upbringing. But my YA books are about the grandchildren of immigrants, again, like my own kids. They don’t have cultural confusion or cultural struggles. They have Canadian-born liberal parents. But that doesn’t make them less Indian. This was something that was hard for me to find in YA—most books I came across with South Asian teenagers were about immigrant families, and they were about cultural struggles. I wanted to write a story with kids more like my own.  

GWR:What was the inspiration behind Tahira in Bloom?

FH: My inspiration was the teen romances I used to read and re-read as a child. These were primarily low-angst, coming of age stories about first love, and they often had small town settings. I set out to write something like that, but with more diversity. I was also inspired by Schitt's Creek for the fish out of water setting. 

GWR: I love that the attraction between Tahira and Rowan is based on mutual respect in that they both admire each other’s talents. Did you set out to have your leads on equal footing or was this something that evolved as you were writing?

FH: I did set out for them to each have their own passion that they would admire the other for. I settled on flowers for Rowan early, as I had just binged Netflix’s Big Flower Fight, and I was entranced with the elaborate floral sculptures. My son suggested fashion for Tahira, and I thought it would work well because I wanted to make her a city girl through and through. It also was easy for me to write about fashion and fashion design, because I not only used to work in the industry, but I also was once a hobby sewist, and used to design and sew dresses for fun.  

GWR: What are you working on now?

FH: I have a few projects on the go right now! I will start edits on my next YA soon. It will be released in the fall. It’s set in the same family as Tahira in Bloom and is about Tahira’s sister Samaya. Samaya is nothing like Tahira, though. She’s a math genius, and a bit of a video game nerd. I’ve paired her with Daniel, a hockey player who wants to study pastry arts after high school. They make pies and play video games together. But it’s really a story about class differences, moving on after heartbreak, and learning to tune out high school gossip to focus on what’s important. And I recently announced my next adult book, Jana Goes Wild, which is a second chance romance set on a Tanzanian safari. I think we’re all looking to armchair travel right now so writing something set on a dream vacation has been super fun. 

*A version of this post was published on STYLE Canada.

Monday, June 8, 2020

Anna K: A Love Story by Jenny Lee

A special thank you to Libro.fm Audiobooks and Macmillan Audio for an audiobook listening copy.

At seventeen, Anna K. is at the top of Manhattan and Greenwich society, and the apple of her father's eye. Although, she prefers the company of her horses and Newfoundland dogs over her perfect, yet boring, boyfriend, Alexander W. 

Anna may be scandal-free, but those around her seem to attract more drama than they can handle: Anna's brother, Steven, and his girlfriend, Lolly, are in the midst of a sexting scandal; Kimmie, Lolly's younger sister, is struggling to be a regular teen after an accident derailed her Olympic ice dancing dreams; and Steven's best friend, Dustin, is madly in love with Kimmie however, the feelings are not mutual. 

Anna orbits around her friends and manages to stay out of trouble. That is until the night she meets notorious playboy, Alexia "Count" Vronsky, at Grand Central Station. He Anna's polar opposite—the quintessential bad boy with the reputation to match. They fall madly in love, with neither of them having actually experienced true love before. When a shocking revelation threatens to tear them apart, Anna is forced to question who she really is and if anyone really knows her at all, including herself.

Decadent and soapy, Lee's modern retelling of Anna Karenina is a slow burn, high-society, teen drama/love story. And while I agree with the Gossip Girl comparisons (revolving around the lives of privileged upper-class adolescents living in Manhattan's Upper East Side), I found Anna K totally unique, a fresh take on the beloved classic. 

Despite its huge cast, every character is well rounded and highly developed with each having a distinctive voice. Lee utilizes multiple points of view to further flesh out the story which takes place over a school year. Although there is plenty of fluff, Lee tackles some weightier topics: addiction, familial and cultural expectations, socialism, sexism, depression, and the effects of social media.  

Anna K is a reimagined story about first love and first heartbreak. Highly recommend! 


JENNY LEE is a television writer and producer. Jenny has previously published humour essay collections and middle-grade novels, and Anna K is her debut YA novel. 

Lee lives in Los Angeles with her husband and 135-pound Newfoundland, Gemma.

Monday, April 6, 2020

Rules for Being a Girl by Candace Bushnell & Katie Cotugno

A special thank you to Edelweiss and Balzer & Bray for an ARC in exchange for an honest review.

There's a set of unspoken guidelines—the rules for being a girl—that Marin has always been good at navigating. She's an exceptional student and editor of her school's paper. Her dream is to go to Brown University.

Marin and her best friend, Chloe, are quite captivated with their young and charismatic English teacher, Mr. Beckett. And "Bex" seems to have taken an interest in Marin. He admires her writing and is always eager to chat about books with her.

After school one day, Bex offers Marin a ride. On the way, he offers to stop by his place to pick up the book he's been meaning to lend her yet keeps forgetting to bring to class. But then Bex takes things too far. Marin is hurt, shocked, and like most women, is quick to blame herself—did she lead him on?

Finally bolstering up the courage, Marin reports what happened to the school administration, but they don't believe her, and neither does Chloe. Now she's forced to see Mr. Beckett everyday in class and he's making her life miserable. But Marin isn't having it—she fights back with the help of her new allies from the feminist book club she started, and writes a piece in the school paper.

Now she's making her own rules.

What an opportune and and thought-provoking read. I can certainly relate to "the rules for being a girl" and like all women, have experienced many of them first hand. Quite simply, it's heartbreaking. It is also upsetting to think about how far we still have to go. This book just barely scratches the surface, but the attempt isn't for naught. Given that this is an issues-based book, it really could have gone either way. But Bushnell and Contugno deftly handle the topic of assault (that is also a gross abuse of power).

There are also some other really solid elements in the story—the connections Marin made and the feminist book club with its great recommendations. And there are also parts that are uncomfortable. Unfortunately, these are the realities for many women and girls.

Although a quick and easy read, Rules for Being a Girl packs a huge punch. Don't let the pretty cover and the fact that it is a YA book fool you. This is timely, topical, and exactly what we need more of.

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CANDACE BUSHNELL is the critically acclaimed New York Times bestselling author of The Carrie Diaries, Sex and the City, Is There Still Sex in the City?, Lipstick Jungle, One Fifth Avenue, 4 Blondes, Trading Up, and Summer and the City, which have sold millions of copies.

Bushnell lives in New York City and Sag Harbor.

KATIE COTUGNO is the New York Times bestselling author of Top Ten, 99 Days, 9 Days and 9 Nights, Fireworks, and How to Love. She studied writing, literature, and publishing at Emerson College and received her MFA in fiction at Lesley University.

Cotugno lives in Boston.

Tuesday, February 25, 2020

Clap When You Land by Elizabeth Acevedo

A special thank you to Edelweiss and Quill Tree Books for an ARC in exchange for an honest review.

Camino Rios lives in the Dominican Republic. She longs for the summer because that is when her dad comes to visit.

Yahaira Rios lives in New York City. She hasn't spoken to her father since the summer because she found out that he has another wife in the Dominican Republic.

When a plane en route to the Dominican Republic crashes, all passengers on board are killed. The lives of these two girls collide—the father they shared was on that plane.

This verse novel is about family secrets, grief, socio-economic status, and loss. Every word flows in a staccato beat with Acevado's lyrical prose.

Deftly switching between Camino's and Yahaira's voice, Clap When You Land is a incredibly powerful and emotionally raw piece. The sisters are unique, contrasted through their upbringing, but joined in their shared grief. They are trying to come to terms with not only their father's death, but with each other.

Brilliant. Moving. Captivating. Highly recommend.

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ELIZABETH ACEVEDO is a New York Times bestselling author of The Poet X and With the Fire on High. Her critically-acclaimed debut novel, The Poet X, won the 2018 National Book Award for Young People’s Literature. She is also the recipient of the Printz Award for Excellence in Young Adult Fiction, the CILIP Carnegie Medal, and the Boston Globe-Hornbook Award. Additionally, she was honored with the 2019 Pure Belpré Author Award for celebrating, affirming, and portraying Latinx culture and experience.

She holds a BA in Performing Arts from The George Washington University and an MFA in Creative Writing from the University of Maryland.

Acevedo resides in Washington, DC. 

Friday, February 7, 2020

When We Were Vikings by Andrew David MacDonald

A special thank you to Libro.fm and Simon & Schuster Audio for an audiobook listening copy.

Zelda was born on the fetal alcohol syndrome spectrum and knows that she is different. But like the ancient clans of Vikings, Zelda finds strength in her tribe: her her older brother, Gert, and his on-again/off-again girlfriend, AK47, her therapist, and her friends at the community centre (especially her boyfriend, Marxy).

When Gert gets in over his head trying to pay the bills, he resorts to some questionable and dangerous methods. Obsessed with Vikings—their legends, their fierce loyalty, their courage—Zelda decides to launch her own quest to become legendary, and help her brother no matter the cost.

After all, we are all legends of our own making.

This tale of autonomy (framed in the form of a quest) is a coming-of-age story that is marred by too much sex/too many sexual references that Zelda simply cannot understand. She is such a unique and well-written character that I couldn't help being charmed by her infectious and sincere passion for Vikings. And yet at the same time, I was horrified on Zelda's behalf at the situations that MacDonald wrote her into that left her diminished, powerless, and in danger. I felt protective of her, but maybe that was the point?

I'm conflicted with my feelings about this book. With the #ownvoices movement going strong, the literature landscape is changing. Does this book qualify? Does it aim to improve diversity in the industry by matching the author to its subject matter? Well no, it doesn't. How can a grown man share an identity with a young girl, let alone one with a cognitive disability? But through careful and compassionate writing, MacDonald has penned one of the most unique and (sometimes painfully) honest heroines and I'm confident that Zelda will find her clan of readers that will root for her.

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ANDREW DAVID MACDONALD won a Western Magazine Award for Fiction, was shortlisted for the Canadian National Magazine Award for Fiction, and his work has been anthologized in four volumes of The Journey Prize Stories, collecting the year’s best Canadian stories from emerging writers. He has an MFA from the Program for Poets and Writers at the University of Massachusetts-Amherst.

MacDonald grew up in Edmonton, Alberta, Canada. 

Friday, October 18, 2019

Break in Case of Emergency by Brian Francis

A special thank you to HarperCollins Canada, #HCCFrenzy, and the author, Brian Francis for a finished copy of the book.

Life hasn't always been easy for 15-year-old Toby. Her mother died by suicide five years ago, and her father is not in the picture having abandoned her mother when she was pregnant.

When the book opens, Toby is living on a dairy farm with her grandparents. Struggling to find any light in her world, she’s making plans to follow a similar route as her mother. But her plans are suddenly interrupted when she’s told that her estranged father is returning home. Oh, and that he’s gay, and a famous female impersonator.

This novel broke my heart, and I mean that in the best way possible. Francis tackles some heavy and difficult topics, but deftly handles the responsibility that comes with writing about suicide and depression—he writes with care, compassion, and authenticity.

The characters are well-developed and each provide a different view of Toby. As far as she is concerned, there is just enough pathos without the reader feeling sorry for her, instead they are pulling for her and don't want her to make the same choice as her mother.

With Francis' signature wit, Break in Case of Emergency is a vulnerable story about a non-traditional father and daughter relationship, and a young girl reconciling with herself. I highly recommend!

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BRIAN FRANCIS is the author of three novels: Fruit, Brian's first novel, was a 2009 Canada Reads finalist and is an Amazon and 49th Shelf “100 Canadian Books to Read in a Lifetime” title, Natural Order was a Best Book 2011 selection by the Toronto Star, Kobo, and Georgia Straight, and Break in Case of Emergency is his newest book and YA debut. Brian is also writer and columnist for The Next Chapter on CBC Radio.

Francis lives in Toronto.

Tuesday, September 10, 2019

#HCCfrenzyPresents: Meet Brian Francis

Photo credit: Girl Well Read and HarperCollins Canada. Do not use without written permission.

The HCC Frenzy team hosted an event to celebrate the release of Brian Francis' new book, Break in Case of Emergency. We indulged in amazing fare and atmosphere at WVRST in beautiful downtown Toronto.

Brian was engaging, warm, and funny—he spoke at each table and readers were given an opportunity to hear about the book and ask questions.

This book is a bit of a departure for Francis in that it marks his YA debut. Although it didn't start out that way. He was originally writing an adult contemporary novel, about a female impersonator, but Francis realized that it wasn't working. He then brought in the character of the daughter, and framed the story as a dual narrative. However, after reading Medicine Walk by Richard Wagamese, he was inspired to write a story about reconciliation, and then Toby took over the story as the narrator.

With Francis' signature wit, Break in Case of Emergency is a vulnerable story about a non-traditional father and daughter relationship, and a young girl reconciling with herself.

Break in Case of Emergency

Life hasn't always been easy for 15-year-old Toby. Her mother died by suicide five years ago, and her father is not in the picture having abandoned her mother when she was pregnant.

When the book opens, Toby is living on a dairy farm with her grandparents. Struggling to find any light in her world, she’s making plans to follow a similar route as her mother. But her plans are suddenly interrupted when she’s told that her estranged father is returning home. Oh, and that he’s gay, and a famous female impersonator.

BRIAN FRANCIS is the author of three novels: Fruit, Brian's first novel, was a 2009 Canada Reads finalist and is an Amazon and 49th Shelf “100 Canadian Books to Read in a Lifetime” title, Natural Order was a Best Book 2011 selection by the Toronto Star, Kobo, and Georgia Straight, and Break In Case of Emergency is his newest book and YA debut. Brian is also writer and columnist for The Next Chapter on CBC Radio.

Francis lives in Toronto.

Tuesday, September 3, 2019

Permanent Record by Mary H. K. Choi

A special thank you to NetGalley and Simon & Schuster Canada for an ARC in exchange for an honest review.

Pablo is an NYU drop out and is now working the graveyard shift at his local bodega, selling overpriced goods to the posh neighbours. He's in over his head with debt, dogging credit collectors' phone calls and letters, and doesn't know how he's going to come up with his next rent payment.

During a snowstorm, at 5:00 a.m., pop sensation Leanna Smart wanders into the shop. At first Pablo doesn't recognize her, she is by herself with no entourage in sight. There is instant chemistry and soon the two are involved in an intense relationship that has to be kept on the down-low—Pablo puts everything on hold to be with Leanna.

But then the world finds out...

Permanent Record is a character study and comment on society's warped obsession with celebrity culture and social media. True to Choi, her characterization is the perfect combination of complex and endearing. Pablo is an interesting, layered, and dynamic character with an affinity for creating unique pairings of junk food. With Lee, we get a glimpse of celebrity—how the public obsesses over them, the relentless machine of the paparazzi, and how image is everything no matter how fake. And in this artificial world, Pab and Lee's relationship is real and actually quite beautiful.

New York City is so much more than the setting. It becomes a living, breathing character in this story. Choi's sweeping descriptions of the city capture the grit and beauty—even if you have never been to NYC, you can visualize it because of her writing.

Choi strikes the right balance of teenage angst and awkwardness against a beautiful love story. Readers will love this cast as well as this whirlwind affair. Congratulations, Mary, on another fab book!

MARY H. K. CHOI is a writer for The New York Times, GQ, Wired, and The Atlantic. She has written comics for Marvel and DC, as well as a collection of essays. Mary's debut novel Emergency Contact was a New York Times bestseller.

Choi grew up in Hong Kong and Texas and now lives in New York. 

Saturday, August 31, 2019

Dear Haiti, Love Alaine by Maika Moulite; Maritza Moulite

A special thank you to NetGalley and Harlequin TEEN/Inkyard Press for an ARC in exchange for an honest review.

Seventeen-year-old Alaine Beauparlant finds herself suspended and shipped off to Haiti when a presentation at school goes completely off the rails. She will be spending the next two months writing a "spring volunteer immersion project" instead of vacationing.

Alaine is under the watchful eyes of her (Aunt) Tati Estelle and Celeste, her mother. Celeste is a beautiful reporter who is hiding from the media after a very public incident that is being dubbed as "Slapgate" where she slapped a politician on live TV—she is also hiding a devastating secret of her own.

Happy to be away from the media storm, Alaine gets to flirt with Tati’s cute intern, spend some quality time with her mother, and learn about Haiti—she's visiting for the first time. Alaine also gets to explore her family history, one that is riddled with betrayals, myths, and possibly even a family curse.

But it's nothing she can't handle...

I loved the premise of this book as well as the epistolary style of narrative. The Moulite sisters use letters, emails, diary entries, postcards, and articles to tell Alaine's story. There is also Celeste's storyline which, truth be told, I found more compelling than Alaine's, even though Alaine's had a fresh and intriguing voice. That being said, I am also not the intended audience and I think that readers will identify with Alaine because like most teens, she comes across as confident, yet she is also self-concious with a lot of growing to do.

But the narrative gets away from the authors. There were parts that came across as particularly unorganized and subsequently they lose the plot in places. There are also too many tertiary characters and secondary characters that disappear (Alaine's father, her friend) and an unnecessary sort-of romance.

However, despite that it was 400 plus pages, it was an effortless, enjoyable read. I also liked learning about Haiti and absolutely loved the cover.

MAIKA & MARITZA MOULITE are a sister writing duo.

Maika is a Miami native and daughter of Haitian immigrants. She earned a bachelor’s in marketing from Florida State University and an MBA from the University of Miami. She is also a blogger and writes for nonprofits and other organizations.

Maritza graduated from the University of Florida with a bachelor’s in women’s studies and the University of Southern California with a master’s in journalism. She’s worked in various capacities for NBC News, CNN, and USA TODAY. 

Sunday, July 14, 2019

Chicken Girl by Heather Smith

A special thank you to LibraryThing Early Reviewers and Penguin Teen for an ARC in exchange for an honest review.

Poppy has always been close to her twin brother, Cam, and the two share a fondness for blending words (clever writing on Smith's part). But lately they haven't been as close because they are each dealing with their own struggles. Cam has recently come out and is trying to adjust to life as an openly gay teen. Poppy used to be happy with her vintage style and curves until a photo of her dressed as Rosie the Riveter with a hamburger photoshopped in her hand surfaces online and she is mocked for her size. Now she is unsure of herself and is struggling to see the good in things.

Deciding to be as invisible as possible, Poppy accepts a job at Chen Chicken restaurant where she dresses up as a chicken and waves a sign to attract customers. It is here where she meets a six-year-old girl, Miracle, who introduces her to a group of misfits living under a bridge: Buck, a cute British photographer who isn't very cute when he is drinking; Thumper, an elderly homeless man; and Lewis, a teen who is caring for his only living parent while struggling to reach the final stages of his gender transition.

But just as she comes to terms with the fact that there is good and bad in everyone, she is tested by a deep betrayal.

While there were some great passages, overall I was completely overwhelmed, and not in a good way. Poppy is not a character that readers will warm up to easily. There are parts of her personality that were completely cringeworthy (why does she watch those videos on YouTube?). She's also selfish and judgemental. And while this is a coming-of-age story and part of her trajectory, there are just too many obstacles to make this plausible. I can't help but feel that Smith was trying to check too many boxes and the reader is left trying to unpack it all.

Heather Smith, I applaud you for writing marginalized characters and shining a light on some very real issues, but there's too much going on with not enough detail.

HEATHER SMITH is originally from Newfoundland and her east coast roots inspire much of her writing.

Smith now lives in Waterloo, Ontario, with her husband and three children.

Tuesday, April 9, 2019

How to Talk to Black People by A. Anon

A special thank you to NetGalley and Kindle for an ARC in exchange for an honest review.

Can someone really see the errors of what they were taught and subsequently break through the boundaries that they have inflicted on others?  

Ivy lives in a trailer park with her drunk mother and is suffocated by the death of her father. Along with her second-hand wardrobe, she also wears a chip on her shoulder. Her only and best friend is the quirky and lovable Magnus who also happens to live in the trailer park with his grandmother after the death of his parents. 

There's a new student this year and he's quite impressive—Alex is smart, good-looking and fit. His mother is an award-winning surgeon and his dad was a famous basketball player. Ivy thinks she's hit the jackpot when she finds out that Alex is her lab partner. He's her ticket to an easy A.

But high school is a cruel place when you don't fit in. Ivy is trailer trash, Magnus is misunderstood, and Alex is the only black kid in the entire school. When the year is up, one of them won't see graduation.

How to Talk to Black People is an in-your-face look at how we view race, how we participate in racism, and how we need to be the catalyst for change. It is a challenge to its reader to do better, be better, and to set a better example. 

The note to the reader from the author, as well as the character Letitia, were the most compelling parts of the story. Leticia's poise, grace, and wisdom were both insightful and refreshing given the challenges the author seemed to have with the rest of the writing and by extension, the characters. At times the dialogue was clunky and awkward and it took away from the narrative. 

Understandably, the reader is not supposed to like Ivy—it wasn't so much that I didn't like her, I didn't like the way she was written and felt that this was some of the weakest writing from the author.  Magnus on the other hand was endearing and reminded me of Duckie from Pretty in Pink, projecting a gay vibe but secretly crushing on his best friend.

Where the author was most successful was with their intent. Writing from one perspective, Ivy's, was effective because all of the focus is on the messages, and there's a lot to unpack. The author doesn't shy away from how they present these weighty topics of racism and classism. 

My hope is that the finished product is more polished. In the note to the reader, the author seemed a bit defensive in regards to suggestions by a publishing professional to tone down Ivy and I have to agree.  I'm not suggesting that Ivy be changed to be more palatable—I think the author is trying to make their audience uncomfortable on purpose so that the reader is forced to examine their own actions/self. My ask is for the author to be more open to suggestion because the work is rough and there are characters that need work. These things detract from the story instead of enhance it.

Monday, February 25, 2019

Indigo: An Afternoon with Angie Thomas

Bottom left/top right photo sources: publisher promotional photos. All other photos by Girl Well Read—do not use without written permission.

The Toronto launch of On the Come Up was presented with Indigo Books & Music at Baillie Court in the Art Gallery of Ontario. Angie Thomas sat down with literary journalist, Donna Bailey Nurse, for an in-depth conversation on her body of work.

Thomas travels a lot these days, and that's because she's got another New York Times bestseller on her hands. In fact, at the time of writing this, Thomas is sitting in the number one and number two spots. She brought along her mom with whom she credits for keeping her grounded.

When asked what she thinks the reason for her success is, Angie said that young black girls identify with her characters and went on to say that "What we're seeing—not just with The Hate U Give—but what we're seeing in general with art is that, you know, we're seeing a huge Black Renaissance."

Even though her books encompass the nature of Black experience, they appeal to a multitude of people. It saddens her to have come to learn that "anti-Blackness is global," but that she also sees that "Blackness is beautiful" and that "there areas many different layers to Blackness, so many ways that Blackness looks differently in different areas and different countries."

What about this rumour that young people have short attention spans?

Thomas commented that "we're not giving them things that hold their attention." Growing up in the digital age, young people are aware of the world, they are becoming activists and "they're proving society wrong every single day."

There is a rich literary heritage in Jackson, Mississippi. Touching on some of her influences in writing, Thomas credits Jessmyn Ward whose Logan family (from Sing, Unburied, Singinfluenced her Carter family. She wanted them to be a "contemporary" version of the Logans.

The Hate U Give is Angie's response to police killings of young Black boys. Told by a girl who attends a white prep school, Starr's story is that of so many other girls. It is these stories that are the ones not being told and she wants to empower them. Thomas specifically spoke about Hailey and Chris: there are so many Haileys, meaning people who "never see themselves." Chris is "not woke, he's barely drowsy." Angie says that Chris "starts in a coma and is trying to wake up, but America has given him NyQuil—his privilege has allowed him to be sleepy."

On the Come Up is about Bri Jackson, a girl that wants to be a rapper, but her song goes viral for the wrong reasons. There is an incident involving a security guard and Bri is not given the benefit of being a young woman, instead she is seen as a threat. Angie herself aspired to be a rapper and was even featured in a magazine. She said it was a learning experience, she learned to be authentic. "Rappers make you think, laugh, cry," and that they are "storytellers through rhymes" that are real and authentic because they "speak from the heart."

The character of Khalil haunts OTCU and (being post-Khalil) the characters from THUG are seen from a different angle. Although Bri lives in the same neighbourhood as Starr, they don't know each other. Bri is too much and not enough. "'She’s too loud. She’s too aggressive. She’s too angry. She’s not smart enough. She’s not delicate enough. She’s not wise enough. She’s not intelligent enough,' when the fact is, she’s enough. Period. And she has to come to realize that herself." Thomas says "At the end of the day, you have to define yourself. You have to know yourself, and you have to love yourself."

At the heart of both books is the great love of a Black family and this is front and centre in both novels. Angie also doesn't want to portray stereotypes in her books. Maverick is not a unicorn—stereotypes tell you about the absent Black father. There is so much love within Black communities, and these books are her love letters to them.

What does her writing process look like? 

Thomas starts with characters. For THUG, Starr and Khalil came to her. She then tries to plot around them. OTCU was plotted out of the censorship from THUG. Thomas also uses J. K. Rowling's plotting chart as well as a calendar to help keep everything straight. And yes, she does suffer from writers block: "it's your brain's way of telling you to take a break."

On the Come Up

Sixteen-year-old Bri wants to be one of the greatest rappers of all time. Or at least win her first battle. As the daughter of an underground hip hop legend who died right before he hit big, Bri’s got massive shoes to fill.

But it’s hard to get your come up when you’re labeled a hoodlum at school, and your fridge at home is empty after your mom loses her job. So Bri pours her anger and frustration into her first song, which goes viral…for all the wrong reasons.

Bri soon finds herself at the center of a controversy, portrayed by the media as more menace than MC. But with an eviction notice staring her family down, Bri doesn’t just want to make it—she has to. Even if it means becoming the very thing the public has made her out to be.

Insightful, unflinching, and full of heart, On the Come Up is an ode to hip hop from one of the most influential literary voices of a generation. It is the story of fighting for your dreams, even as the odds are stacked against you; and about how, especially for young Black people, freedom of speech isn’t always free.

BUY NOW

ANGIE THOMAS is one of the leading voices exploring Black girlhood. Author of the #1 New York Times bestselling, award-winning novel The Hate U Give, she is a former teen rapper who holds a BFA in creative writing.

Angie was born, raised, and still resides in Jackson, Mississippi.

Monday, August 27, 2018

Emergency Contact by Mary H. K. Choi

A special thank you to NetGalley and Simon & Schuster Canada for an ARC in exchange for an honest review.

Although her grades were decent, and she had a boyfriend (albeit a not very attentive one), Penny Lee found high school to be incredibly mundane.  Penny wants to be a writer and is looking forward to going to college, even if it is only an hour away.  Maybe she can writer herself a new life, one that is not only more interesting, but one without an overbearing mother that dresses too young and tries too hard to be her friend.

Sam is a mess.  He sleeps on a mattress on the floor of a spare room over the coffee shop where he works.  Sam is an aspiring filmmaker that can't afford to finish school and he is also struggling to get over a bad break up.  

When Sam and Penny meet through Jude who is Sam's ex-niece and Penny's new roommate, their first encounter is incredibly awkward.  In spite of that, the two exchange numbers and eventually text their way to a relationship where they share everything with each other.  It is much easier to type their fears, dreams, hopes, and anxieties than to say them face-to-face.  Sam and Penny become each other's "emergency contact".

Choi pens some quirky, awkward, and angst ridden characters that at times seem too old in the way they conduct themselves, but it totally works.  She adds just the right element of conflict and the pace of the story is spot on.  This book is in the same vein as Eleanor & Park and I can see why fans of Rainbow Rowell also like this book so much.  Both authors have a flair for this genre and write complicated, yet endearing characters that stay with the reader long after the last page.

My only criticism is with the timing, I'm a little confused.  Jude met Sam when she was seven.  She had an iPad.  iPads were introduced in 2010, so if she is seven in 2010, she would be 15 in 2018.  How is she old enough to go to college? Did I miss something?  

MARY H. K. CHOI is a writer for The New York Times, GQ, Wired, and The Atlantic. She has written comics for Marvel and DC, as well as a collection of essays. Mary's debut novel is Emergency Contact. 

Choi grew up in Hong Kong and Texas and now lives in New York. 

Sunday, August 5, 2018

Sadie by Courtney Summers

A special thank you to NetGalley and St. Martin's Press for an ARC in exchange for an honest review.

Sadie hasn't had it easy.  Her drug-addict mother is in and out of her life and Sadie is tasked with raising her little sister, Mattie.

Mattie goes missing and is subsequently found murdered.  This absolutely destroys Sadie and after a botched police investigation, Sadie makes it her mission to bring her sister's killer to justice.  Following what little information she has, Sadie strikes out on her own to find him.

West McCray is radio personality who is working on a segment about small, forgotten towns in America.  When he overhears Sadie's story at a local gas station, West becomes obsessed with finding Sadie.  He starts his own podcast that tracks her journey in the hopes of trying to figure out what happened and to find Sadie before it's too late.

Summers contemporary story is not pretty.  It's gritty, raw, and at times unimaginable.  But the sad fact is that what happens to Sadie is not unique and the world can be a dark and terrible place. 

I struggled with Sadie as a characteron one hand, she's a total badass and could be a strong female lead, but on the other, she's basically still a child that has faced some incredibly brutal situations that no one, let alone a child, should be subjected to.     

The alternating points of view is the perfect vehicle for this story.  Sadie's first person voice is vulnerable as evident through her stutter, yet strong as apparent through her sheer determination and will.  She is lost and doesn't want to be found.  The only thing keeping her going is to find and kill the man responsible for Mattie's murder.  West's narrative is true to his occupation as a radio presenter in that he is factual and purposeful.  He frames his views into consumable content, albeit somewhat flippant, because he is reporting and investigating without any personal attachment.  I took this as a comment on the impact of media and how numb we are as a society to things that should be horrific and cause for reaction/action.

The two are on a similar trajectorySadie to find the man responsible for her sister's death and West to find Sadie.  With each turn of the page, the reader is hoping for them to collide and Summers capitalizes on this to propel her narrative.  Her pace is spot on.

This book is not for the faint of heart.  Summers preys on the reader's anxiety and ratchets this story to a whole other level.  I actually had to take reading breaks with this one, not only to catch my breath, but because I felt suffocated by Sadie's darkness.  This novel could be a trigger warning for some because of some of the subject matter and should come with a warning to call this out.  

Wednesday, October 25, 2017

Here So Far Away by Hadley Dyer

A special thank you to Edelweiss and HarperCollins Canada for an ARC in exchange for an honest review.

I don't like to give negative reviews, especially to a Canadian author.  My mother also taught me that if you don't have anything nice to say, you shouldn't say anything at all.  But here is my dilemma...as a reviewer, I am obligated to provide feedback.

So here goes...I couldn't relate to the main character, George, at all.  The dialogue was trite, and the story itself was simply not engaging and at times bordered on ridiculousness.  For me, it was a struggle to even finish. 

Dyer really needs to up her game in this genre.  There are so many outstanding YA novels out there that are deserving of your time.  Here are some of the ones that have left me completely gutted and honoured to have read them: The Hate U Give, All the Bright Places, The Perks of Being a Wallflower, A List of Cages, One Half From the East, and Andrew Smith's Winger and Stand-Off.

That being said, Dyer is a champion of literacy here in Canada, and I admire her efforts and contributions to the children's book industry.

Saturday, May 27, 2017

A Tragic Kind of Wonderful by Eric Lindstrom

A special thank you to NetGalley and HarperCollins UK for an ARC in exchange for an honest review.

Sixteen-year-old Mel Hannigan has bipolar disorder and she is learning to balance life, relationships, and feelings.  Thinking that she will be abandoned when her friends find out things she has been pushing down, parts of her past, and also parts of who she is—what makes her Mel—she keeps them at a distance, even going so far as to terminate friendships.

This was a mixed bag for me.  While I applaud Lindstrom for tackling such an important topic, especially for this genre, it fell short.  There was a lot going on and this distracted from the beautiful raw emotion that should have been capitalized on.  There were characters that took away from the main story line, and then there were characters, like Nolan, that were not explored enough.

Without sounding harsh, I found Mel to be bright, confident, and honest, but the way she tracked her feelings was incredibly juvenile.  This is where her relationship with the retired doctor could have been fleshed out—this was a flaw in the story in that there was a beautiful and honest relationship that was never explored and this could have been the perfect vehicle to her memories of Nolan.  

All-in-all, a good read, and I would like to read Not If I See You First.

Sunday, April 16, 2017

Generation One (Lorien Legacies Reborn #1) by Pittacus Lore

A special thank you to Edelweiss and HarperCollins for an ARC in exchange for an honest review.  I just couldn't get into this book after several tries, but because I committed to reviewing, I limped through.  And by limped, I mean I skimmed.

There is nothing new here, just more of the same from the first series.  But there is something off and I can't put my finger on it.  Perhaps it is the writing, it was very staccato, with choppy and disjointed sentences—maybe this was done on purpose to move the story along at a more rapid pace to lay the groundwork.  I hope that this narrative style doesn't continue throughout. Needless to say, I won't be continuing with this series.  

Saturday, March 4, 2017

My Life as a Bench by Jaq Hazell

A special thank you to NetGalley and Nowness Books for an ARC in exchange for an honest review.

I wasn't sure what to expect given the premise for this book.  Lauren "Ren" Miller has died at the age of seventeen, yet her consciousness lives on by inhabiting a bench that was purchased by her father in her memory.  The bench faces the River Thames in London and is situated beside Lionel's bench.  Lionel becomes a father-figure of sorts to Ren and encourages her to break through and talk to the living in order to reveal the truth about her harrowing end.

Hazell definitely takes a different vantage point for a narrator, but is a risk that doesn't quite pay off.  Although unique in concept, it is the story itself that feels constrained by the bench, the choppy flashbacks, and by the main character herself.  Her relationship with Gabriel sounds incredibly needy and I honestly feel that this is a disservice to young girls when the protagonist's happiness seems to hinge on a boy.

Monday, January 30, 2017

The Secret History of Us by Jessi Kirby

A special thank you to Edelweiss and Harper Teen for an ARC in exchange for an honest review.

The opening has some really solid writing with an instant hook.  The main character, Liv, is pulled from the water after the car she was in went off a bridge into the bay below.  She appears lifeless and is given CPR.  

When she awakes in the hospital, she can't remember any details of the accident.  Assuming that the amnesia is more of a side effect from being in a week-long coma, Liv tries to remember recent events only to discover she actually can't remember the last four years!  She doesn't remember high school, why she isn't friends with her former best friend, or her doting boyfriend, Matt.

Liv has to rely on other people to fill in the gaps.  She grows incredibly frustrated because she feels like things are being kept from her on purpose.  Desperate for answers, Liv turns to Walker, the guy who was responsible for saving her life the night of the accident.  Despite her seemingly perfect boyfriend, she can't ignore the growing feelings she has for Walker.  Olivia needs to find what her new normal is and where she belongs in a life she can't remember.

I didn't rate this book higher because the ending was rushed.  It was like Kirby was restricted by page count, or perhaps she has another story in the works?  Either way, it fizzled, which is too bad because the start of the book was some really great writing.

Monday, January 2, 2017

The Hundred Lies of Lizzie Lovett by Chelsea Sedoti

A special thank you to NetGalley and Sourcebooks Fire for an ARC in exchange for an honest review.

Hawthorn, an awkward teenager, becomes obsessed with solving the disappearance of Lizzie Lovett, a girl who mysteriously vanished while on a camping trip with her boyfriend. Her overactive imagination invents a crazy theory about what happened to the missing girl, and in order to prove it, Hawthorn inserts herself into Lizzie's life, including taking Lizzie's job and boyfriend. 

Sedoti walks a fine line with such an unreliable narrator. This coming-of-age story could have came off as campy, but she pulls it off by giving Hawthorn some redeeming qualities that flesh out as the story progresses. It would be easy for the reader to assume that she is immature for her age, but in fact, it is simply lack of life experienceHawthorn has only had one friend and is therefore stunted when it comes to forming relationships. 

Without giving away the ending, the writing is raw and encapsulates what it is like to be a misfit teenager, or anyone really who is trying to find their place in the world. Sedoti captures Hawthorn's angst and emotion through her solid writing. Her character is multi-faceted from her sarcastic wit to her vulnerable interior and this is why the story can move on from Hawthorn's juvenile theory into a moving story.