Jean Kwok in Conversation

Photo credit: Girl Well Read. Do not use without permission.

Jean Kwok visited the North York Central Library in Toronto to talk about her new book, The Leftover Woman. 

A young Chinese woman gives birth to a baby girl and is told shortly after delivery that the baby has died. Jasmine grieves deeply for her daughter. A few years later she learns that her husband put their baby up for adoption—another casualty of China’s One Child Policy. Jasmine flees from her controlling husband to track down her daughter in New York City. The parallel narrative also involves the adoptive mother, Rebecca. She is a wealthy white woman who has a doting husband, high-profile career, and beautiful home. 

Publishing plays a paramount role in the story. Rebecca is an editor-in-chief at a legacy publisher who is dealing with an imminent scandal in order to save her career. Kwok gives her readers a glimpse of the world of publishing and uses it as one of the bridges to the theme of the patriarchy which Jasmine also faces in both China and the west.  

Jean explained that the title of the book is a play on the term “leftover woman” which refers to the women in China who are in their late twenties and are unmarried. It carries a negative connotation as it implies that they are somehow “leftover,” or undesirable. Jasmine: “In China, I'd seen posters warning girls of the danger of becoming leftover women, women that no one wanted. Leftover like scraps on a table, uneaten food, both a sacrilege and wasteful, something that should have nourished our country squandered and turned into rubbish: unwarned, purposeless, of no use to anyone. I was a leftover woman, I realized. After everyone else had carved away what they wanted to see in me and taken what they desired, I was all that was left." 

Kwok's writing is often praised for its authentic portrayal of the immigrant experience and the complexities of navigating different cultures. She often brings her own experiences into her books having come from a very traditional Chinese family where she is the youngest of seven. In terms of gender and age, she is at the bottom of her family hierarchy much like Jasmine. Jean also said that there is a lot of her in Rebecca as well—a modern woman trying to do it all. 

The Leftover Woman is about two mothers, two worlds, and one impossible choice.

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JEAN KWOK is the author of the bestselling Girl in Translation, Mambo in Chinatown, and Searching for Sylvie Lee, which was chosen as The Today Show Read with Jenna Book Club Pick. Jean received her bachelor’s degree from Harvard and completed an MFA in fiction at Columbia. She worked as an English teacher and Dutch-English translator at Leiden University in the Netherlands, and now writes full-time.

Kwok was born in Hong Kong and immigrated to Brooklyn as a young girl. 

Searching for Sylvia Lee by Jean Kwok

A special thank you to LibraryThing Early Reviewers and William Morrow for an ARC in exchange for an honest review.

Kwok's latest work begins with a mystery. The oldest Lee daughter, Sylvie, vanishes while on a trip to the Netherlands where she was visiting with her dying grandmother one last time.

Amy is the shy and sheltered baby of the Lee family who has always looked up to her sister. Sylvie fiercely loves her little sister even though she is seven years younger and they weren't raised together. She was raised in the Netherlands by her grandmother because her new immigrated parents were too poor. That choice weighed heavily on Sylvie's parents, even after she had returned.

Deeply distraught and wracked with grief, the Lees want answers as to what happened to their daughter. Amy visits the last place that Sylvie was seen alive, and instead of uncovering answers, she learns of hidden secrets that speak to their complicated and delicate family dynamic.

Searching for Sylvie Lee is a portrait of an immigrant family and an exploration of cultural constraints —even within the same family. Throughout the book, there is an overarching theme of loss as well as the high cost of keeping secrets.

Told by Amy, Sylvie, and their mother, the narrative shifts back and forth in time. The woman reveal the emotions that they've been hiding as well as the truths that they have been guarding with the fear of being found out. Each character is thinking in their native tongues of English, Dutch, and Chinese—the distinctive voices, culture, and language shield each character.

There is a tremendous amount of growth for Amy. She must overcome her crippling shyness in order to find her sister. A sister she is realizing that she actually knows little about. It is here where Kwok excels. Her writing has incredible purpose where Amy is concerned and it is some of the best in the book.

My only issue was with the pacing of the book—I did find it slow overall, and that the narrative kept stalling because of too many flashbacks. That being said, this is an incredibly thoughtful and beautifully written book. There is such an innate and ingrained sadness to Kwok's words. If you do enjoy more of a literary type thriller, then I would definitely recommend this book.

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JEAN KWOK is the author of the bestselling Girl in Translation and Mambo in Chinatown. Jean received her bachelor’s degree from Harvard and completed an MFA in fiction at Columbia. She worked as an English teacher and Dutch-English translator at Leiden University in the Netherlands, and now writes full-time.

Kwok was born in Hong Kong and immigrated to Brooklyn as a young girl.