Showing posts with label Gallery/Scout Press. Show all posts
Showing posts with label Gallery/Scout Press. Show all posts

Wednesday, September 16, 2020

One by One by Ruth Ware

A special thank you to Edelweiss and Gallery/Scout Press for an ARC in exchange for an honest review.

Snoop is a successful streaming app where you can "snoop" on what your favourite celebrity is listening to—or your ex—anonymously and its on the brink of a buyout.

When an off-site company retreat at a beautiful resort, meant to promote collaboration and wellness, goes horribly wrong, people start dying. 

Just how well do you really know your colleagues?

Told from the dual points of view of Liz and Erin, neither of these women are likeable and Ware's audience will struggle to connect with either of them. There are way too many characters that the reader will care little about—they lack substance and development. At times there are pages upon pages of mundane details and instances where the reader is force-fed information.  

One by One left me cold. With scant characters and a thin plot, Ruth's attempt at trying to write a fresh take on a classic mystery fails—she's simply out of her element. Ware should stick to writing gothic suspense, this is where she truly excels. 

RUTH WARE is an international bestselling author whose thrillers include In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game and The Death of Mrs. Westaway.

Her books have been optioned for both film and TV, and she is published in more than 40 languages.

Ware lives near Brighton with her family. 

Monday, June 22, 2020

The Swap by Robyn Harding

A special thank you to Goodreads First Reads, Edelweiss, NetGalley, Gallery/Scout Press, and Simon and Schuster Canada for an ARC in exchange for an honest review.

The cruelty of adolescence has inflicted itself on Low Morrison. It doesn't help that she has hippie polyamorous parents, a name that becomes a suggestive punchline, and that she's unusually tall.

At her high school, Low sees a magnetically beautiful woman posting a flier for pottery lessons. Intrigued, Low signs up for one of Freya Light's classes where she completely falls under her spell. Freya, a former social media influencer, basks in the attention that she craves and has been missing.

But then Freya crosses a line when she starts telling Low her darkest secrets and deepest desires. Freya and her husband, Max, moved to escape a scandal that not only ruined Max's professional hockey career, but hers as well. Low mistakes the oversharing as friendship and becomes even more enamoured with Freya, dangerously teetering on obsession.

Jamie Vincent and her husband, Brian, have moved to the island to start a family. Her friendship with Freya has Low feel threatened. One night, the couples get together to do magic mushroom and the evening ends in a partner swap. But what they don't know is that Low saw everything that happened in the glass house, and she's not afraid to use it to her advantage.

As events spiral out of control, Harding delivers a thrilling tale about how toxic relationships can be.

The Swap is a deep dive into obsession, desire, and jealousy. But be careful, this book has got some teeth and will sink them into its reader. Harding's writing is sharp, evocative, and riveting.

The narrative shifts among the main characters with the exception of Freya which only adds to her appeal and perceived perfection. But what hides behind the celestial exterior is a dangerous darkness. Robyn's character development is nothing short of flawless. Her cast are insidious and electric, both likeable and loathsome.

It is hard to resist the allure of a Robyn Harding book. In this novel, she expertly builds tension and resentment through venomous relationships. Prepare to be shocked and consumed—this is an absolute must-read that will be one of the best books of the summer.

Congratulations, Robyn on another remarkable work.

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ROBYN HARDING is the author of The Party, Her Pretty Face, and The Arrangement. She has written and executive produced an independent film.

Harding lives in Vancouver, British Columbia, with her husband and two children.



Q & A with Robyn Harding*

GWR: If you could tell your younger self something about writing and becoming an author, what would it be?

RH: I’d tell myself that being an author is not a career with a smooth trajectory. It’s a rollercoaster of ups and downs and you have to be willing to adapt, change, and grow. I’d tell myself that some people won’t like my work and that’s okay. Just focus on the part you love—the writing.

GWR: Describe your writing space and what your process looks like? Are you a pantser or plotter?

RH: I have an office/spare room where I do my writing. One wall is painted a pale lemon colour because yellow is supposed to stimulate creativity. I work at an adjustable desk so I can alternately sit and stand.

I’m a combination of plotter and pantser; a “plantser” as Karma Brown calls it. Using screenplay structure, I lay out a rough framework and then I write toward the major plot points. But I don’t outline in great detail.

GWR: What character was most challenging to write?

RH: Low was the most challenging to write, but also the most fun. She’s so odd and dark and creepy—but I love her. I’m a huge fan of Zoe Heller’s novel “Notes on a Scandal.” Low is the teen version of Barbara Covett (played by Dame Judy Dench in the movie).

GWR: How did you choose which characters' perspectives to write from? Did you consciously leave out Freya's?

RH: I’m a big fan of writing (and reading) multiple points of view. I chose the POVs in The Swap organically (I wasn’t originally going to include the men), but I purposely left out Freya’s perspective. I felt that she would be most fascinating viewed through the eyes of the other characters who alternately adore and despise her.

GWR: How did you select the names for your characters? (I thought Freya's Instagram handle was very clever!)

RH: Thank you! Naming characters can be challenging. A couple of years ago I went to Iceland and that trip inspired the name Freya. Sometimes, I scroll through social media to see if a name pops out at me. I try to make the names age appropriate—I wouldn’t name a teenager Dorothy or call a boomer Brittany.

GWR: The themes of The Swap—toxic relationships, desire, the impact of social media—are all relatable, yet your take on them was exciting and fresh. How hard was it to come up with the themes and where did you draw inspiration from?

RH: I write about topics that fascinate me: complicated female friendships, envy, social media celebrity, sex, obsession... And I’ve recently heard about a lot of people having open relationships and practicing polyamory. It got me wondering: How would that really work? Or more appropriately (for a suspense novel): How would that not work?

GWR: The pottery making was interesting to read about, do you have any experience or other artistic talents besides writing?

RH: I took a pottery class last year and I loved it. Was I a natural? No. Were my pieces usable? Not really. But it was a ton of fun. I can draw a little but I’m left-handed, so that has made some arts and crafts (knitting, sewing, pottery) difficult for me. That’s my excuse, anyway.

GWR: What are you working on now?

RH: I’m just starting a new book about a family that is being harassed by a gang of faceless teens. The family members all profess their innocence and deny any knowledge of why they’re being assaulted, but each of them has a dark secret. And one of them has brought this attack upon their home.

*A version of this post was published on STYLE Canada.

Saturday, June 29, 2019

The Turn of the Key by Ruth Ware

A special thank you to Edelweiss, NetGalley, Gallery/Scout Press, and Simon & Schuster Canada for an ARC in exchange for an honest review.

Rowan Caine is writing her lawyer from prison. She has been charged with the murder of a child in her care.

After answering an ad for a nanny with an extremely generous salary, Rowan arrives at Heatherbrae House set in the beautiful Scottish Highlands. She is instantly captivated by the "smart" house—that mixes the old charm with new modern conveniences—and by the Instagram-worthy family.

What Rowan doesn't know is that everything on the surface is a complete facade and that she's actually stepping into a nightmare. There's constant surveillance from cameras that appear to be in every room, noises coming from the attic, a poisonous garden, and the children are certainly not the well-behaved girls that were at her interview. Rowan has also been mislead in that she's been left alone for weeks at a time, with no adults around apart from the mysterious handyman, Jack Grant.

While maintaining her innocence for the crime of murder, she is forthcoming about the other mistakes she's made. She's admitted to lying to get the job and that she's not a good nanny, but she is most definitely not a murderer. So this begs the question, who is?

Ware's The Death of Mrs. Westaway was a Gothic gem and I was expecting more of that; in this novel there is also a creepy Gothic Victorian. In fact, the house is not only the setting, but ends up being more of a character in the book. Other effective ominous elements were the poisonous garden, footstep noises, and the locked closet—these types of macabre nuances are where Ware excels in her execution.

The characters were intriguing, even the secondary and tertiary. From the opening, you can tell there is something not quite right where Rowan is concerned. Given that she's supposed to be a nanny, Rowan appears to be out of her element. I do however feel that Ware could have fleshed out the husband and wife more. I mean what kind of parents leave their three little girls—soon to be four when Rhiannon arrives home from boarding school—with a virtual stranger?

I loved that this was an epistolary novel. The letters were the perfect vehicle to deliver the story. Where the plot stalled was with the ending, especially given the extensive build up. This was a bit of a disappointment given that the narrative was a slow burn—with the pages and pages of the day-to-day childcare and feeding which got a bit mundane after a while—and the reader was not fully rewarded for their patience.

RUTH WARE is an international bestselling author whose thrillers include In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game and The Death of Mrs. Westaway.

Her books have been optioned for both film and TV, and she is published in more than 40 languages.

Ware lives near Brighton with her family. 

Friday, May 17, 2019

The Arrangement by Robyn Harding

A special thank you to NetGalley, Simon & Schuster Canada, and Gallery/Scout Press for an ARC in exchange for an honest review.

Natalie is a struggling art student in New York City. She is having trouble making rent and keeping up with her other bills. Her roommates are less than impressed with her drinking, overnight (male) guests, and her failure to pay her share.

While at school, she becomes friends with Ava, one of her classmates, who appears to have it all. She is always impeccably dressed and has her own apartment in Chelsea. Natalie discovers that Ava used an online site to find herself a sugar daddy (a wealthy, older man that pays for her time with sexual favours being optional) and is intrigued after she learns how much money can be earned for a date— some girls even get monthly allowances and trips.

When Natalie meets Gabe, a dashing and successful lawyer who is more than thirty years her senior, he seems like the perfect candidate and their chemistry is undeniable. Soon enough, they are a couple. Natalie falls hard for Gabe and believes he feels the same way about her. But Gabe hasn't been completely honest—he is still married and has no intention of leaving his wife.

Things end abruptly and Natalie can't cope. Her drinking spirals out of control and she starts stalking  Gabe. She even goes as far as to befriend his daughter. But Gabe's not having it. What was supposed to be an arrangement between two consenting people has turned into an obsessive nightmare that ends in murder.

After reviewing Her Pretty Face, I couldn't wait to get my hands on Harding's latest work and she delivers in spades! The plot is layered and emotionally charged with characters that are believable and engaging. Harding has a gift of captivating her reader, she delivers a powerful page-turner that is taut with suspense.

The writing is smart and complex, while not being trite or contrived. I was fully vested in the story, especially with such an interesting and fresh premise—I wanted to learn more about the sugar baby/sugar daddy dynamic.

This book is sexy, smart, and seductive!


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ROBYN HARDING is the author of The Party, Her Pretty Face, and The Arrangement. She has written and executive produced an independent film.

Harding lives in Vancouver, British Columbia, with her husband and two children.

Sunday, March 17, 2019

Queenie by Candice Carty-Williams

A special thank you to NetGalley, BookishFirst, Gallery/Scout Press, and Simon & Schuster Canada for an ARC in exchange for an honest review.

Meet Queenie Jenkins—a 25-year-old Jamaican British woman who is straddling two heritages and trying find her place. She has just been dumped by her long-time white boyfriend and is on notice at work where she is constantly comparing herself to her white middle class peers.

Needless to say, Queenie is not in a good frame of mind and she is making some pretty awful decisions concerning who she spends her free time with and with whom she is seeks comfort from.

Carty-Williams has written an honest account of one woman's struggle, which sadly many women can relate to, and at the same time, given us a character to root for. Unfortunately Queenie's story isn't unique, there are many women out there struggling with issues of sexism, racism, and self-acceptance. She is a modern woman trying to navigate her way through a messy break-up, figuring out where she fits in, and learning that her self-worth does not come in the form of toxic relationships.

Queenie is so much more than Bridget Jones, and I don't mean that as a slight to Helen Fielding's brilliant heroine, but there is no comparison. Bridget is a funny, awkward, and endearing character that journals her life in cheeky entries, whereas Queenie is a more serious character with incredible depth. There is also a heaviness about the story and again, this is another reason why a Bridget Jones comparison is doing this novel a disservice.

I adored her grandparents, especially her grandfather (and those of you who have read this book will know what scene I am referring to). What I didn't like was that the author uses Queenie's promiscuity as a symptom of her anxiety and I'm not sure that this is entirely accurate—I think that it is rather a symptom of her lack of self esteem.

What is also interesting is that Carty-Williams makes no apologies for Queenie, nor should she. She is a bold, brash, and flawed character who at times does some really unlikeable things. But we keep pulling for her.

Carty-Williams explores identity, racism, mental health and what its like to be a young woman in the dating scene in the age of technology. She tackles some daunting social issues and uses Queenie's humour and solid supporting cast of friends/grandparent to keep the story from getting too dark.

CANDICE CARTY-WILLIAMS is a Senior Marketing Executive at Vintage. In 2016, she created and launched the Guardian and 4th Estate BAME Short Story Prize, which aims to find, champion, and celebrate Black, Asian, and minority ethnic writers.

She contributes regularly to Refinery29 and i-D, and her pieces have been shared globally, especially those about blackness and sexuality. Queenie is her first novel.

Saturday, January 6, 2018

Every Note Played by Lisa Genova

A special thank you to NetGalley, Simon & Schuster Canada, and Gallery/Scout Press for an ARC in exchange for an honest review.

This stunning, raw, heartbreaking glimpse into the world of ALS from Lisa Genova will leave you emotionally spent and in awe of those living with this cruel disease, and in awe of their loved ones and the real-life superheroes that are their caregivers.

Richard is a renowned pianist that sells out concerts all over the world, a fine-tuned instrument that executes his performances with precision and passion.  Fast forward eight months—Richard has been diagnosed with ALS and no longer has the use of his right arm.  The loss of his hand is like the loss of a true love, like his own divorce from Karina.  It is only a matter of time before it is his left hand, and the rest of his body.

Karina hasn't moved on from her divorce from Richard, in fact she is stuck in limbo in an unfulfilling life as a piano teacher.  It is easy for her to blame Richard for where she has ended up and for the dissolution of the marriage.

When the disease progresses to the point that Richard is fully paralyzed, Karina reluctantly steps in to care for him.  He moves back in with Karina, in the home that they once shared with their daughter, Grace, who is away at university.  As Richard becomes a shell of a man he once was, the couple is forced to face their regrets head on and learn what it means to forgive.

What I love about Genova's books is her ability to educate her reader, not only in matters of the heart and relationships, but about actual neurological diseases and conditions that most would not be familiar with unless they were affected personally.  She doesn't "dumb-it-down", instead she elevates her reader and empowers them with knowledge.  It is this knowledge that makes her stories rich, not only in information, but in character development, yet doesn't bog down the narrative.  Her writing is poignant, sharp, and captivating.  Lisa, congratulations on this book, and your continued success—it is always a pleasure to read and review your work.  

LISA GENOVA graduated valedictorian from Bates College with a degree in Biopsychology and holds a Ph.D. in Neuroscience from Harvard University. She is a member of the Dementia Advocacy, Support Network International and DementiaUSA and is an online columnist for the National Alzheimer's association.

Genova is also the New York Times bestselling author of Still Alice, Left Neglected, Love Anthony, and Inside the O'Briens. Still Alice was adapted into an Oscar-winning film starring Julianne Moore, Alec Baldwin, and Kristen Stewart.